Celebrate iconic Māori television, film and music with this collection, in time for Māori New Year. Watch everything from haka to hip hop, Billy T to the birth of Māori Television. Two backgrounders by former TVNZ Head of Māori Programming Whai Ngata (Koha, Marae) look at Matariki, and the history of Māori programming on New Zealand television.
Writer Janet Frame (1924 - 2004) is an icon of New Zealand literature; her 'edge of the alphabet' use of language has seen her acclaimed as "one of the great writers of our time" (San Francisco Chronicle). This collection celebrates Frame's life and work on screen, from applauded Vincent Ward and Jane Campion translations to a rare TV interview with Michael Noonan.
"New Zealand is ready" is the message in this early propaganda film made by the National Film Unit. It follows Japan's entry into World War II in December 1941. Until then the war had been a largely remote experience for many New Zealanders. Now our own soil was threatened. Using robust language and delivery, along with pictures of New Zealand defence forces in live-fire exercises, the film seeks to reassure while warning against overconfidence. New Zealand's remoteness is presented as a plus for defence and there's a subtext of self-reliance.
Riddled with old military tunnels, Auckland’s North Head has long been the focus of speculation. In this documentary Philip Alpers explores theories that a hidden tunnel network contains tonnes of decaying ammunition — and two old Boeing airplanes. Archeologist Dave Veart sets about finding the truth. The man responsible for closing the tunnels says there's nothing there; others recall seeing a plane. Filmmaker John Earnshaw is convinced of its existence. Earnshaw would spend years battling the crown in court, over claims of a breached agreement to search North Head.
In this National Film Unit-produced 'documentary' a circus sets up at the beach. Made for the Ministry of Works to stir debate about the use of coastal land, director Michael Reeves' wiggy treatment of the subject situates the film in the 'frustrated auteur meets sober commission' NFU tradition. Ringmaster Ian Mune is a seaside Willy Wonka canvassing claims to the coast. Demands of development, recreation, and housing are dramatised — including a bizarre look at stranger danger in suburbia, and a graphic illustration of the risks of off-mains sewage treatment.
Going with his father to see the battleship HMS Ramilles set Peter Couling on a course that led to the New Zealand Navy. Joining at 18, he soon found himself bound for Korea where his ship escorted convoys from Japan to Pusan. He was also on hand to see the battleship USS Missouri fire its guns in anger for the first time since World War II. That was in the early stages of the Incheon Landings. In this interview he also talks about going on parade in London for King George VI’s funeral. Back home he headed south with Sir Edmund Hillary and the Trans-Antarctic Expedition.
Starting his World War II military service in the army, Jack Harold was soon transferred to the navy. He saw active service at Guadalcanal in the Solomon Islands, and was aboard minesweeper HMNZS Moa when it and sister ship HMNZS Kiwi engaged a Japanese sub, eventually sinking it after the Kiwi dropped depth charges. The Moa’s luck didn’t hold; it was sunk in a Japanese raid, taking five of its crew with it. Jack survived, and returned to action in the Pacific aboard submarine-hunting ships. Jack Harold was discharged from the Navy in 1945; he passed away on 15 April 2017.
Craig Potton — renowned photographer and conservationist — is New Zealand coastal tour guide in this five part South Pacific Pictures’ series. In this excerpt from the opening episode Potton gets choppered in by his mate, legendary pilot Richard ‘Hannibal’ Hayes, to explore the edges of the Fiordland wilderness. The duo camp on Hayes’ ex-navy vessel moored in Breaksea Sound; and retrace Captain Cook’s star-gazing route in Dusky Sound (where Cook brewed the first beer in NZ). Then Potton frames the epic limestone landscape of Chalky Inlet through his camera lens.
Created by Gavin Strawhan and Rachel Lang, popular one hour drama series Jackson's Wharf was set in a fictional coastal town and revolved around a sibling rivalry between brothers Frank and Ben. Frank is the town policeman with a big secret; and golden boy Ben is a big city lawyer who has returned to town after their father's death. In this excerpt from the first episode of the South Pacific Pictures production, returning son Ben faces gossiping locals, simmering family tensions over the will (who will get the pub?) and an impending fishing tournament.
Created by Gavin Strawhan and Rachel Lang, Jackson’s Wharf was set in a fictional coastal town and revolved around a sibling rivalry between brothers Frank (the town cop) and Ben Jackson (a big smoke lawyer). Returning with his family, golden boy Ben has controversially inherited the local pub from his recently deceased father. Produced by South Pacific Pictures, the one hour popular drama screened for two seasons. Writer James Griffin and director Niki Caro worked on the show, alongside much of the talent who would later create Mercy Peak and Outrageous Fortune.