Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
German-born Kiwi director Florian Habicht charts the journey of Britpop band Pulp to their 2012 Sheffield farewell concert. As well as singing along with the common people, and interviews with Jarvis Cocker and band (musing on everything from ageing to fishmongering), Habicht reunites with his Love Story co-writer and cinematographer to pay tribute to the band’s hometown and fans (including a rest home rendition of ‘Help the Aged’). The film premiered to strong reviews at US festival South by Southwest, where Variety found it “warmly human” and “artfully witty”.
This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based shorts that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and movie Broken English. Wright passed away in 2018.
Though most of his films have been documentaries, Florian Habicht's work has often blurred the boundaries between truth and fiction. His CV includes offbeat fairytale Woodenhead, two love letters to New Zealand's far north (Kaikohe Demolition, Land of the Long White Cloud), films on theatre legend Warwick Broadhead and Brit band Pulp, and his award-winning, genre-stretching romance Love Story.
Andy Anderson began drumming and singing as a Hutt Valley teenager. Since then his diverse trans-Tasman performing career has included playing in rock bands, starring as Sweeney Todd and the Pirate King on-stage — plus more than 50 acting roles on-screen, often playing rogues and diamonds in the rough, in shows from Roche, Gloss and Marlin Bay, to The Sullivans.