After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
This TV documentary sees director Peter Wells look at his life “through pansy-tinted glasses”. Motivated by the anniversary of his brother’s 1989 death (from AIDS) Wells’ film charts his path to becoming a pioneering gay filmmaker and writer: from growing up fascinated by colour and the glamour of royalty in conservative Port Chevalier in the 1950s, to baking, and deciding to come out when he was drafted to fight in Vietnam. As befits an artist whose credits include Desperate Remedies, the treatment is distinctive: a mixture of documentary, (aptly) flowery home movie, and quiet reflection.
Directed by Owen Hughes, this piece for arts show Artsville explores the feeling of being caught between cultures. Painter Prakash Patel grew up as an Indian in conservative 1970s Wanganui. As a Kiwi he didn’t feel Indian yet he didn’t belong in Wanganui either - ‘What am I doing here?’ In 2006 he was awarded a Creative New Zealand Residency at the Sanskriti Campus in New Delhi. Out of Darkness, Out of India follows Prakash on his journey from discomfort to discovery.
Eclectic ensemble Schtung flared briefly in the late 70s. This music video sees the band clutching umbrellas and briefcases, and forming their own brigade of conservatives in suits. Occcasionally betraying their love of silly walks, they stride through Wellington Railway Station, dash madly around the wharves, and climb the steps of Parliament. The (minimal) lyrics allude to politicians failing to fulfill their promises, although they can also be read as being about a failing romance. The song's final seconds include the lines "Pour on water", from nursery rhyme 'London's Burning'.
On 4 December 1966 pirate radio hit Kiwi airwaves when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. In this feature, rookie director Craig Newland and writer Andrew Gunn fictionalise the true life story of the station’s battle to get to air — overcoming courtroom rulings and a conservative state broadcasting monopoly, as well as storms at sea. Go Girls actor Matt Whelan (who was Moa-nominated for the role) plays young rebel journo Richard Davis, fighting for free speech, the freedom to choose, the woman he loves … and rock’n’roll!
This second episode of the three-part series following British MP Austin Mitchell’s return to the country where he began his career in (as a broadcaster and author of 1972 book The Half Gallon Quarter Acre Pavlova Paradise) sees a focus on politics. The former Canterbury University political scientist gives a potted political history, from the roots of a conservative Kiwi political mien to the radical changes wrought by Lange’s 80s Labour government and the rise of women ‘on the hill’. Finally he considers tourism, Treaty settlements and the aspirations of Māori.
Peter Wells and Stewart Main’s acclaimed drama screened in primetime and was ground-breaking in featuring AIDS. Wells' script is based on the death of one of his friends — one of the first New Zealanders to die from the disease — but the living are the focus, as Wells creates an intimate “strange and foreign land” occupied by those close to someone who is dying. Andy’s friends confront both their own mortality and the deadly new disease stalking their community, while his conservative family grapples with never having come to terms with his sexuality. The excerpt features the opening 10 minutes.
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. This segment on dancer and choreographer Michael Parmenter features an in-depth interview with Parmenter (by series presenter Alison Parr) and excerpts from his dance works. Parmenter talks about his creative influences, his tough upbringing in conservative Invercargill, the tensions caused by being gay and in the Brethren Church when he was younger, and the impact of his illnesses (HIV and cancer) on his life and dance career.
This third episode of Men of the Silver Fern follows the fortunes of the All Blacks from 1956 to 1978. In 1956 the All Blacks had beaten the Springboks by playing a conservative ’10-man’ game, but they faced criticism for their dour pragmatism. A decade later the backs were back: coach Fred ‘The Needle’ Allen based his triumphant turn at the helm of the All Blacks on expressive, running rugby. This episode follows the All Blacks’ ongoing mission to win a series in South Africa, and achieve a ‘grand slam’ of victories over the home unions on a tour of the UK.