Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
This National Film Unit magazine film begins with a choir performing the classic 'Pokarekare Ana' in the acoustically-blessed depths of the Waitomo Caves. The second item involves a visit to a toy factory, deep in preparation for Christmas. Disembodied doll heads fill a bin, while elsewhere factory staff add eyes, and blacken the teeth of rocking horses. There are also teddy bears, electric trains and rows of toy trucks. The narrator explains the joy the toys will bring come Christmas: “a production line to delight children everywhere — fantasy from an industrial Santa Claus”.
Gary McCormick visits the West Coast mining town of Reefton in this full length episode. He takes an early morning trip down Surprise Mine, and gains insights into the tough life of a coal miner. Meanwhile, miners' wives talk about being married to someone with a high risk occupation. McCormick also attends the First Light Festival, held to mark Reefton being the first town in the southern hemisphere with electric lighting. Later he heads to the abandoned gold mining town of Waiuta, and back in Reefton meets a woman with a doll collection which takes up her whole house.
"This is me. This is my husband …" So narrates Evie as she watches her younger self labour with childbirth. "And this is the bitch who will one day steal him, and ruin my life." When the bitch is shown as an angelic six-year-old the tone is set for Katie Wolfe’s award-winning black comedy (her debut short as a director). Writer Kate McDermott’s wry narration moves between then and now, as fate delivers a less than wonderful life in Auckland suburbia. Selected for the Sundance Film Festival, This is Her was a breakout festival success, earning Wolfe notice as a filmmaker to watch.
Amy Street is an award-winning series of eight short documentaries. Each tells the story of a resident in a Thames assisted living community for people with intellectual disabilities. Opening the series is Celeste, a superfan of Shortland Street who gets to meet one of her Street idols. Other interviewees include Moyzee, a keen singer who says "labels are on jars and I'm not a jar so you can't label me"; couple Topsy and Dave, who are excited about their upcoming wedding, and Jonathan, a runner who hopes to win a medal at the Special Olympics in Dunedin.
Actor Elizabeth McRae is best known as Marj the receptionist on Shortland Street. She began her TV career in the 70s on shows such as The Games Affair. Since then she has appeared in television dramas About Face, Terry and the Gunrunners, and Go Girls. Her film credits include Jubilee and Rest for the Wicked.
Donogh Rees stars as Jo, a wife on the brink of madness, in this short film from Christine Parker (Channelling Baby). Struggling to deal with raw meat in the kitchen, Jo lapses into a dream-state and fantasies about fronting a girl group (featuring backing singers costumed as the Virgin Mary, a dominatrix and a Barbie doll). Flashbacks show her partner James (Alistair Browning) arriving home drunk; she goes alone to a dinner party where the host asks about his absence. The story is based on Waiting for Jim, a short story by author Frances Cherry.
The irrepressible Suzy Cato (who previously presented TV3's Early Bird Show and 3pm) presents a programme for pre-schoolers. From a set designed to look like a house with bathroom, bedroom and live garden, Suzy talks directly to her audience and makes extensive use of te reo. A multi-cultural focus also comes through in the show's stories, songs, animations and puppetry. Suzy's on-set companions are a doll, teddy bear, clown and scarecrow — and a sock puppet family makes regular appearances. More than 2000 episodes were made in eight years.
Shot in and around Auckland, Karyn Hay's gorgeously colourful clip follows two love birds and their associated entourage - a female body builder, a Ken doll and a punk. Although not officially in the band, Andrew Fagan appears twice in the video, once as a hooded mugger, and again as the drummer, identity concealed with a paper bag. "One of my favourite scenes is the red lipstick on the kissing booth." Karyn Hay, May 09
One of Wellington’s leading 60s bands present a dark and troubling tale of revenge via voodoo doll. The clip — made for the Studio One TV show, a regular Avengers' gig — incongruously takes its cues from music video precursors like early Beatles films and The Monkees TV series (where the default position was zany and madcap). It was shot around Oriental Bay, with one fleeting pre-Te Papa harbour vista — but the focus is mainly on the band’s antics. The Avengers gamely enter into the spirit of it all, although four on a motor scooter looks decidedly dodgy.