Renaissance man Fane Flaws has done it all. Since boarding the legendary magic bus of travelling band Blerta in the early 1970s, he has been a musician, graphic designer and artist — not to forget directing a long run of award-winning music videos and commercials, and launching bestselling multimedia project The Underwater Melon Man.
By 1987, TVNZ’s music video show Radio with Pictures was 12 years old — and producer (and future MTV Europe boss) Brent Hansen was looking to inject into the show some of the visual style now being exhibited by MTV. So he approached artist and musician Fane Flaws, and gave him carte blanche to create a new opening sequence. Animation was a new field for Flaws; but using the Eastern tinged, koto-driven composition ‘Calamity’ (by his former Crocodiles band mate Peter Dasent) as his theme music, Flaws created a unique and strikingly surreal piece that won two awards.
Fane Flaws has popped up in all kinds of places: on the Blerta bus, holding a paintbrush, and behind a guitar and video camera.
This episode of the turn of the century youth show trips out in the mud, at The Gathering dance party in Takaka. Havoc then talks to Manchester DJs at Piha, and interviews legendary comedian Robin Williams, who ranges from getting bitten by a dolphin to being scared by Paul Holmes. When this episode aired in January 2000, the hosts were at the peak of their infamy, having baited the BSA earlier in the series with a student stapling his genitals to a cross and setting it alight, and a woman on the street being asked whether she’d consider a sexual act for four dollars.
This classic soft drink advert saw a supergroup of 80s music talent cooling off ... in a steamy L&P factory. The industrial-strength line-up — When the Cats Away’s Margaret Urlich and a blink or you'll miss her Annie Crummer; Ardijah’s Ryan and Betty-Anne Monga; Erana Clark, Peter Morgan, and DD Smash drummer Peter Warren — belt out a 60s Motown song (produced here by Murray Grindlay). Fane Flaws plays a supervisor loosened up by “the thirst quencher”. ‘Heatwave’ was a hit single in late 1987, with the group named ‘80 in the Shade’. The ad was named the year's best.
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
This follow-up to 1984 Narcs hit ‘Heart and Soul’ marked the first single off the trio’s second album. Recorded with US engineer Tim Kramer, 'Diamonds on China' got to 15 on the New Zealand charts. Influenced by Brit pop band Go West, 'Diamonds' is full of punchy guitar and synthesizers. Prolific music video director Fane Flaws showcases massed horns, street racing video games, his own distinctive illustrations, and drumsticks hitting the skins "like diamonds on china". Flaws' efforts resulted in one of his first accolades: Video of the Year at the 1985 NZ Music Awards.
This infectious clip marks one of the only Kiwi music videos to have been made independently of state television in the 1970s. Spats toured their eclectic brand of music from Blerta's old bus, then found fame after morphing into The Crocodiles. In this track vocalist Fane Flaws demonstrates a TV screen can make a valid performance tool, and regular Spats accomplices Limbs Dance Company add some moves of their own. The video was directed by Flaw's old Blerta colleague Geoff Murphy while Spats was on tour. 'New Wave Goodbye' ended up on Crocodiles album Tears.
Band Spats demonstrated they could write a catchy song with 'New Wave Goodbye'. But it needed the addition of singer Jenny Morris, a name change to The Crocodiles and a track called 'Tears' for the public to really sit up and take notice. In the video, drummer Bruno Lawrence hangs around next to a shady lamp post while Morris passes by, and the band's bubblegum coloured costumes positively shine against an all white set. After reaching number 17 on the NZ singles charts, 'Tears' won the APRA Silver Scroll songwriting award for 1980.
Wild Man is the missing link between 1970s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a director whose talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight — and betting — in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Fred Dagg comedy Dagg Day Afternoon.