Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
This documentary follows a Southern Alps ski competition for local and off season northern skiers. Organised by Coast to Coast impresario Robin Judkins, the ‘grand slam’ series begins with a chopper ride to Black Peak for powder 8 and telemark skiing; and then it's above Lake Wanaka for slalom, ski jumping, and a grunty "air, style and speed" mogul. Après-ski competing there's a springtime descent down Mt Taranaki. It wouldn't be Kiwi skiing without kea, and the discipline of the inner tube. The crisp sax and synth 80s score is by Hello Sailor's Dave McArtney.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
Pioneering series Pukemanu (the NZBC’s first continuing drama) was set in a North Island timber town. Its portrait of the town’s folk offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; viewers and reviewers praised its Swannie-clad authenticity. This first episode sees a culture clash as a motorcycle gang (including a young Bruno Lawrence) comes to town and causes trouble, running Ray (Geoff Murphy) off the road; and stranded townie Diana (Ginette McDonald) falls in love with a local axeman while hunting.
Goodbye Pork Pie was a low-budget sensation, definitively proving Kiwis could make blockbusters too. Young Gerry (Kelly Johnson) steals a yellow Mini from a Kaitaia rental company. Heading south, he meets John (Tony Barry), who wants his wife back, and hitchhiker Shirl (Claire Oberman). Soon they're heading to Invercargill, with the police in pursuit. High on hair-raising driving and a childlike sense of joy, the Blondini gang are soon hailed as folk heroes, on screen and off. Remake Pork Pie (2017) was directed by Matt Murphy — son of Geoff, who drove the original film.
One shaggy dog, dozens of humans, and a smorgasbord of Kiwi scenery: viewers were glued to the screen for this TV One promotional campaign, which began screening in August 1991. The six-part promo followed a lovable sydney silky poodle cross travelling the country by car, train and paw. En route, roughly 50 Kiwis make blink and you'll miss it appearances: including sporting figures, local townspeople, and 20+ TV personalities (see backgrounder for more info, and clues on who is who). The popular promos were directed by Lee Tamahori, before he made Once Were Warriors.
Geoff Jamieson was working as a mechanic in Queenstown when he was asked to help out on landmark 70s television series Hunters's Gold. So began a busy career as a camera grip on a run of classic TV dramas, as well as the ambitious shoots for movies The Quiet Earth and The Piano. Jamieson passed away on 24 May 2016.
Australian-raised Melanie Rodriga (née Read) moved to New Zealand in 1977, and worked as an editor. After adapting Keri Hulme story Hooks and Feelers, she wrote and directed feminist thriller Trial Run in 1983. In 1988 Rodriga was a best director finalist for pioneering TV drama The Marching Girls. Rodriga now lectures in film at Perth’s Murdoch University and continues to make and develop films.
Beaver - real name Beverley Morrison - toured New Zealand as part of seminal 70s touring group Blerta. Later she sang on the title track of 80s television hit Gloss, and acted in 1985 thriller Should I Be Good? She passed away in May 2010.
Composer Stephen McCurdy's screen music has crossed the gamut — from jazz, chamber pieces, rock, and pop, to the faux Peggy Lee song which opened each episode of 80s soap Gloss. McCurdy won NZ Film Awards for his scores to Came a Hot Friday and The End of the Golden Weather.