After a young woman (Denise Maunder) falls pregnant, she decides to go against the tide of advice from her family and unsympathetic welfare authorities by keeping her baby. Misery and hardship ensues. Director Paul Maunder brought kitchen sink drama to NZ television with this controversial National Film Unit production. The story can claim to have effected social change, stirring up public debate about the DPB for single mothers. Keep an eye out for a young Paul Holmes as a wannabe lothario. Maunder writes about making it in this piece. Costa Botes writes about it here.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
Celebrated actor Jennifer Ward-Lealand began her career as a child and made her screen debut on Paul Maunder-directed Gone Up North for a While aged nine. In her teens she played rebellious Jan in soap opera Close to Home, attended drama school, and on venturing into the professional world, started winning roles, including TV series Seekers, with Temuera Morrision. Her film roles include the colonial glamour drama Desperate Remedies.
This educational video was made by the NFU for the National Mountain Safety Council to promote awareness of bush safety. After a blackboard science lesson (check out a bearded Ray Henwood) things get interesting. A fictional trip into the bush turns into a Stubbies-clad 70s Kiwi version of the Blair Witch Project as we're told that one of the group will not survive the night, picked off by that fearsome killer: exposure. The message is serious, but the doom-laden tone induced titters in school classrooms and scout halls throughout NZ.
Before he achieved worldwide fame as an actor, Sam Neill directed documentary films for the National Film Unit. This film examines the philosophy, early achievements and frustrations of one of New Zealand's most innovative architects, Ian Athfield. Athfield won an international competition in 1975 to design housing for 140,000 squatters in Manila, in the Philippines, yet struggled to gain recognition back home. This film culminates in Athfield's trip to the Philippines to pursue the project. Shooter John Toon later memorably shot feature film Rain.
An iconoclast with a bent for experimentation, director Paul Maunder brought the mixed flavours of social realism and the arthouse to New Zealand screens in the 1960s and 70s, before shifting stages and leaving the government's National Film Unit, to concentrate on theatre. His second feature Sons for the Return Home (1979) as the first film to dramatise the experience of Pacific Islanders living in contemporary New Zealand.
Lynton Diggle spent almost 25 years working as a director and cameraman for the government's National Film Unit, before launching his own company. Along the way, he filmed in Antarctica and the waters of Lake Taupō, captured major salvage operations at sea, and worked alongside legendary director David Lean (Lawrence of Arabia). Diggle passed away on 23 November 2018.
Sam Pillsbury's The Scarecrow was the first Kiwi movie to win invitation to the prestigious Cannes Film Festival. Starting at government filmmaking body the Natonal Film Unit, the part-Kiwi, part-American dlrector worked in documentary — including helming the controversial Birth with Dr. R.D. Laing — before making a run of feature films and TV movies, both in New Zealand and North America.
Michael Haigh gave up teaching to become a professional actor. A founding member of Wellington’s Circa Theatre, his TV legacy is the gruff office worker Jim in Roger Hall’s Gliding On — one of NZ television’s great comic characters and a role that won him a Feltex Award. He played Jim for five years and appeared in a number of other TV series and films (almost inevitably playing a policeman). Michael Haigh died in 1993.
National Film Unit staffer Ron Bowie was a dedicated and cosmopolitan filmmaker, who overcame obstacles (including five years internment for his pacifist convictions) to pursue his chosen career. Among dozens of NFU films he contributed to, Bowie directed award-winning tourist romance Amazing New Zealand!, helped produce beloved Expo epic This is New Zealand, and edited the Oscar-nominated One Hundred and Forty Days Under the World.