Biscuits dance, food flies, dead chickens walk ... come closing time, the shelves of a dairy come to life. Four years in the making, this showcase of stop motion effects is based loosely on a classic poem by Goethe. The lively Indian-tinged soundtrack is inspired by the poem's most famous retelling: the Disney classic Fantasia, in the Sorcerer's Apprentice sequence where Mickey Mouse battles magical broomsticks. The music is handled by John Psathas, who later composed for the 2004 Olympic Games in Athens.
This 70s current affairs show does a cost benefit analysis of Trade Minister Warren Freer’s Maximum Retail Price scheme (MRP), which capped retail prices. Drawn from an era of economic theory poles that was apart from the market deregulation of the 80s, the investigation sets out to poll opinion in supermarket aisles, a grocery in Glenorchy, and factory floors (Faggs coffee, Cadbury chocolate). The checkouts are a battlefield between red tape and free range retail. The early animated sequence by Bob Stenhouse marked an early use of animation in a local TV documentary.
Luscious fruit, truckies, and Lucy Lawless feature in this Christine Parker short. Sal (Tania Simon) is gifted a peach and meets a saucy tow truck driver (Lawless) en route home to her toddler, and domestics with boyfriend Mog (Joel Tobeck). Mog’s truckie mates arrive for beers, including the nameless driver, whose presence (and peach-eating advice) stirs up desire. “Watch it rot, or taste it when it’s ripe.” A roster of leading NZ film talent worked with Parker on the film, and Lawless' turn hints at the cross-sexual appeal of her breakthrough role on Xena - Warrior Princess.
Jono Smith was 14 when he won the starring role as teenager Ned Poindexter in 50s-era coming of age classic The Scarecrow. After leaving school, Smith joined TVNZ and became a camera assistant. Since relocating to England in 1993 he has shot a raft of television projects, short films, and four features. In 2010 he co-produced acclaimed movie Sus.
Glenis Giles has a wealth of experience as a producer and production manager. Her portfolio includes documentaries, film and television drama, children’s TV, commercials and music videos.
John McBeth's commentating career began after injuries put paid to his senior rugby playing days. He became Radio New Zealand's lead rugby commentator in 1985 and took that position at TVNZ in 1992. With his trademark sense of humour never far away, he has covered Olympic and Commonwealth Games and America's Cup yachting along with many other sports.
Cyril Morton's career began in the 1920s, during New Zealand's first sustained burst of filmmaking. Morton helped create Government filmmaking body the National Film Unit. The former cameraman was later second-in-command at the Unit for 13 years, until retiring in 1963. Morton passed away in 1986.
Peter Metcalf has four decades of experience in making it all look seamless. After 20 years in state television, he became TV3’s first Head Video Editor in Wellington. His credits include classics like Country Calendar and Kaleidoscope, plus Great War Stories, 35 short documentaries for TV3 commemorating the First World War. He also helped launch successful post-production suite Blue Bicycle Flicks.
Sound designer Mike Hopkins worked on more than 20 feature films. Along the way he won wide respect for his craft and the humble dedication he applied to it. He won awards for his work on Kiwi classics Illustrious Energy, Crush and Heavenly Creatures, and Oscars for his sound editing on King Kong and the second Lord of the Rings movie. Hopkins died in a rafting accident on 30 December 2012.
Composer David Downes defines the word multi-media. Often supplying images to play alongside his music, he has also written for orchestra, percussionists Strike and dance legend Michael Parmenter (Jerusalem). In 2000 Downes was a key collaborator on 50 minute long film A Small Life, which uses music to explore childhood and death. In 2004 he directed animated short Generation, which played in many international festivals.