Roughly four years after debuting on A Haunting We Will Go, Count Homogenized made a memorable re-entrance in his own series. This fifth episode has the simplicity of a good cartoon: disguised as a movable charity bin, the vampire endeavours to trick or talk his way past the local dairy owners, on his endless mission to make it to the milk supplies. Aside from Russell Smith in full comic flight as the Count, Lynda Milligan takes the New Zild accent in dramatic new directions as no-nonsense shopkeeper Rhonda Dearsley.
This 70s current affairs show does a cost benefit analysis of Trade Minister Warren Freer’s Maximum Retail Price scheme (MRP), which capped retail prices. Drawn from an era of economic theory poles that was apart from the market deregulation of the 80s, the investigation sets out to poll opinion in supermarket aisles, a grocery in Glenorchy, and factory floors (Faggs coffee, Cadbury chocolate). The checkouts are a battlefield between red tape and free range retail. The early animated sequence by Bob Stenhouse marked an early use of animation in a local TV documentary.
Luscious fruit, truckies, and Lucy Lawless feature in this Christine Parker short. Sal (Tania Simon) is gifted a peach and meets a saucy tow truck driver (Lawless) en route home to her toddler, and domestics with boyfriend Mog (Joel Tobeck). Mog’s truckie mates arrive for beers, including the nameless driver, whose presence (and peach-eating advice) stirs up desire. “Watch it rot, or taste it when it’s ripe.” A roster of leading NZ film talent worked with Parker on the film, and Lawless' turn hints at the cross-sexual appeal of her breakthrough role on Xena - Warrior Princess.
Director Julie Zhu's love letter to a Chinese East Auckland community follows her grandmother as she carries out what may seem a mundane task — grocery shopping. But to Fang Ruzhen, her daily ritual of buying food is what connects her to several other aged Chinese grandparents, who hop on buses in large groups to head to the supermarket. Ruzhen moved to New Zealand nearly 20 years ago to help look after her grandson. Now she is 79 and can barely speak any English. "Going shopping every day…well, that’s our strength. Without this, what would we do?"
A culture clash story by Witi Ihimaera inspired this comic drama, which marked the directing debut of screen veteran Larry Parr. Set in the mist-shrouded Taranaki hamlet of Whangamomona in the 1940s, the short film focuses on the conflict between a local tohunga, Mr Hohepa (Sonny Waru) and feisty Pākehā Mrs Jones (Annie Whittle) — as viewed by the young boy who helps deliver her mail and groceries (Julian Arahanga, in his screen debut). The locals think Hohepa has placed a makutu (or curse) on Mrs Jones. But could more basic human emotions be at work?
Murray Reece has been the director at a number of key turning points in New Zealand's television history: from the debut of our first drama series (Pukemanu), to the first telemovie (The God Boy), to the episode of Country Calendar where Fred Dagg first showed us around the farm.
Tama Poata's wide-ranging contributions to our culture can be glimpsed through his appearances on-screen: from campaigns for Māori land rights (in 1975 doco Te Matakite O Aotearoa) and against the Springbok tour (Patu!), to his many acting roles. He also directed documentaries and wrote landmark 1987 movie Ngati, the first feature written (and directed) by Māori.
Welsh-born Ray Henwood moved to Wellington in his 20s, having studied chemistry and done some professional acting. His long Kiwi theatre career began in-between jobs as a teacher and forensic toxicologist. There were also a host of screen roles — most famously a run of Moro bar adverts, and Hugh, one of the office workers on long-running comedy series Gliding On. In 2006 Henwood was awarded the Order of Merit for services to film and theatre. He toured one man shows playing Richard Burton and Dylan Thomas, and helped found Wellington's Circa Theatre. Henwood passed away on 26 August 2019.
Geoff Murphy was a leading figure in the new wave of Kiwi filmmakers that emerged in the 1970s. His movie Goodbye Pork Pie became the first blockbuster of the local film renaissance. He completed an unsurpassed triple punch with Utu and sci-fi classic The Quiet Earth. Noted for his skill at action, knockabout comedy, and melding genres, Murphy spent a decade in Hollywood before returning home.
Allen Guilford was a prolific and much admired cinematographer, whose host of television programmes ranged from 1970s TV landmark The God Boy to colonial melodrama Greenstone. Guilford won NZ Film Awards for his work on movies The Footstep Man, coming of age tale The Climb, and blockbuster What Becomes of the Broken Hearted? He passed away on 10 March 2009.