Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.
Sailor's Voyage charts the journey of Hello Sailor, the band that ripped up a storm live, made landings in the USA, ran aground and fell apart, then drifted back together again. Interviews with Graham Brazier, Dave McArtney, Harry Lyon and co reveal how the group opened doors for local music, and helped establish a New Zealand touring circuit. Manager David Gapes recalls attempts to get a US record deal, before the cash ran out; the legend of Brazier being asked to join The Doors is explained. The archive footage includes a performance with Doors member Ray Manzarek.
Nominated for a Qantas Media Award, this documentary examines prejudices against Asians in New Zealand, amidst the context of burgeoning immigration (80,000 ethnic Chinese and 20,000 Koreans have arrived in NZ since 1988). Directors John Bates and Manying Ip look back at the history of Asian settlement in Aotearoa, from colonial xenophobia and the poll tax inflicted only on Chinese migrants, through ‘ching chong Chinaman’ abuse, to the present day — where 21st century migrants face struggles with discrimination, language barriers and integrating in their new home.
Director Grahame McLean uses the notorious (then recent) 'Mr Asia' drug smuggling saga as fodder for this Wellington underbelly tale. Hello Sailor’s Harry Lyon headlines as a musician and ex-con who partners with a beautiful journo to investigate a global drug syndicate, in between nightclub sessions with fellow musos Beaver and Hammond Gamble. High on 80s guitar licks, Should I be Good? was made in the tax break era without Film Commission investment. McLean followed it right away with The Lie of the Land, becoming a rare Kiwi to make two movies back to back.
Heroes followed a band trying to make it in the mid-80s music biz. Teen-orientated, the show marked a first major role for Jay Laga’aia (Star Wars), and an early gig for Michael Hurst (with blonde Billy Idol spikes). Band keyboardist John Gibson co-wrote the series music; he later became an award-winning film composer. Margaret Umbers (Shortland Street, Bridge to Nowhere) was a non-musician in the cast (with Hurst), but since has sung regularly in a jazz band. A second series follow in 1986.
In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. Five hundred and six days later, police and army arrived en masse to remove them. This documentary examines the rich and tragic history of Bastion Point/Takaparawhau — including how questionable methods were used to gradually take land from Māori, while basic amenities were withheld from those remaining. The Untold Story features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.
Coup D'Etat was launched by two members of theatre troupe Red Mole (Jan Preston and Neil Hannan), who were soon joined by guitarist Harry Lyon (on a break from Hello Sailor). They are best remembered for Preston's single 'No Music on my Radio' and Lyon's hit 'Doctor I Like Your Medicine' (a NZ Music Awards Single of the Year). After one album they disbanded in 1982. Preston composed soundtracks and reinvented herself as a boogie-woogie pianist; Lyon returned to Hello Sailor; Hannan founded label SDL Music.
'Lyin' in the Sand' closed Hello Sailor's self-titled debut album in 1977, the song's languid South Seas vibe providing respite after 'Gutter Black' and various guitars. Inspired by a spontaneous South Pacific parody from vocalist Graham Brazier one night, it was written by guitarist Harry Lyon after observing how Takapuna's smart set took their beach for granted. TVNZ filmed the band playing live in a Christchurch studio in 1978, just before the band set off to try to make it in LA. Lyon sings, so Brazier is absent; drummer Ricky Ball's hula confirms that the band’s tongue was in its chic.
Chosen as the theme tune of Outrageous Fortune spinoff Westside roughly four decades after it was first performed, this guitar and sax-driven rocker appeared on the first album by the legendary, on again off again Hello Sailor. Taken from music show Ready to Roll, this performance sees Brazier and band talking tough in leather about danger on the streets, and "nights like a razor blade". Harry Lyon snarls over his red guitar, Graham Brazier plays a saxophone with a price tag on it, and Dave McArtney adopts classic bored rocker pose.
Graham Brazier’s swagger and musical talent are part of Kiwi music history. Brazier's career began with university band Oktober; in 1975 he joined Dave McArtney and Harry Lyon to form Hello Sailor. Their self-titled debut album spawned classics 'Gutter Black' and Brazier's 'Blue Lady'. Inbetween Hello Sailor and his band The Legionnaires, Brazier recorded solo albums Inside Out (1981) — which included classic track 'Billy Bold' — Brazier (1987) and East of Eden (2004). A fourth album was almost complete when he died on 4 September 2015, a month after suffering a heart attack.