Harry Sinclair first won fame as a member of beloved 80s multimedia duo The Front Lawn; whose shorts included Walkshort, Linda's Body and The Lounge Bar. Starting with Topless Women Talk about Their Lives, the first of three features exploring 'modern love', Sinclair displayed his talent for offbeat humour and improvisation, and his belief in the creative importance of the actor.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
In this excerpt from the 1996 TV One arts series, presenter Alison Parr interviews the NZ Film Commission's longtime marketing director Lindsay Shelton about the international success of Kiwi films. Shelton attributes the recent popularity of Once Were Warriors and Heavenly Creatures to Kiwi stories being different and new — "everything in our films was unexpected". Roger Donaldson, Geoff Murphy, Jane Campion and Peter Jackson are mentioned, with special note of Jackson's "confidence and wish" to stay in New Zealand's "tiny as well as fragile" film industry.
In this episode of Talk Talk musician Don McGlashan discusses politics, growing up and the art of communicating emotions and ideas, with journalist Finlay MacDonald. The Talk Talk host starts by asking McGlashan to explain how he managed to offend Kiwi seafood lovers across the country with a political analogy during the 2008 general election. Then the pair explore McGlashan's early inspirations and musical development. McGlashan finishes with a live rendition of his 2009 single 'Marvellous Year', complete with accordian, theremin and strings.
Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
One of a select few Kiwi dramas about filmmaking, The Footstep Man centres on a man whose job is creating footsteps and sound effects for movies. Lonely, toiling under a demanding director, Sam (Brit Steven Grimes) gets trapped between real life and reel life. Cinematographer Leon Narbey’s second movie is a portrait of the strange pressure cooker of creating films, a luminous film within a film — with Jennifer Ward-Lealand as muse to painter Henri de Toulouse-Lautrec — and a reminder that for all the technology involved, moviemaking is about the human touch.
Launched in February 1974, Spot On was an award-winning education-focused magazine programme for children. Presenters who got their break on the beloved show included Ian Taylor, Danny Watson, Phil Keoghan and Ole Maiava. Keoghan went on to global fame as host of The Amazing Race; Taylor now heads up Taylormade Productions and Animation Research Ltd. The show was created by Murray Hutchinson. Producer Michael Stedman later became head of the Natural History Unit. Peter Jackson and Robert Sarkies entered Spot On’s annual Young Filmmaker competition.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
A social cricket match in Cornwall Park needs a third umpire after a bogan's dog swallows the ball in this short film. As the men in white struggle to field the ball, a statistics-obsessed sport crosses absurd boundaries. A line-up of contemporary NZ comedic talent features on the field— plus New Zealand Black Caps cricketers (and 1992 World Cup bowlers) Chris Pringle and Willie Watson. Bradman was written and directed by Peter Tait (actor in classic shorts The Singing Trophy and Kitchen Sink). The film includes classic song ‘Bradman’ by Australian singer Paul Kelly.