The concept of the New Zealand home — and who has the means to own one — can be a contentious topic these days. Aotearoa's history is one of architectural innovation: occasionally born from abundance, often of necessity, and sometimes from crisis. The titles which follow range from visionary concepts in Māori architecture, through sheds and houses in suburbia, to town halls, high rises and whole cities, busy being reborn —all this, plus critiques of urban sprawl, and a cartoon hero fighting a war on mediocre architecture (in Four Shorts on Architecture).
This 1946 film surveys New Zealand housing: from settler huts to Ernest Plischke’s modernist flats. Architect William Page bemoans sun-spurning Victorian slums with their unneeded “elaboration”. But more fretful than fretwork is a housing crisis that sees 26,000 families needing homes, with owning or renting out of reach of many. Michael Savage’s pioneering (but war-stalled) state housing scheme and newly-planned suburbs offer hope. Fed by wood and cement, NZ can build again with brio: “For a home is the basis of the simple things that make victory worthwhile.”
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
Ten years on from the tumultuous 1984 General Election, this award-winning TVNZ current affairs doco examines the financial and constitutional crisis that resulted from Robert Muldoon’s initial refusal to yield power. Reporter Richard Harman, who conducted pivotal interviews at the time, talks to key players to piece together the events of five remarkable days. They also saw the opening salvoes between David Lange and US Secretary of State George Shultz over nuclear ship visits, and foreshadowed Roger Douglas’ controversial remaking of the NZ economy.
The first feature from Jackie van Beek was born from the idea of three very different people in a house, after a crisis. The central character is teen runaway Tia, who after a car crash moves in with a family who are connected to the accident. To find their lead actor — newcomer Gloria Popata — writer/director van Beek and casting director Yvette Reid did an epic casting call across Aotearoa. Reid auditioned 340 people. Van Beek is best known as an actor herself, often in comic roles. She directed seven shorts, before The Inland Road was invited to debut at the Berlin Film Festival.
Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This episode is about Shakti - a support organisation for women from ethnic communities who are in crisis because of domestic violence. Shakti offers immigrant women in violent relationships a safe haven and a helping hand to make a fresh start. Shakti NZ founder Farida Sultana says it is so culturally difficult for some of the women to leave their marriages they can get to the point of being in fear for their lives.
Mental health care is profiled in this 1992 episode of First Hand. Wayne Hussey is a member of the South Auckland Community Treatment Team, who is followed over the course of a day seeing his patients. They vary from a young woman struggling with bipolar disorder, to a woman living with schizophrenia, and a man who has adapted to independent life in the community. Kingseat Psychiatric Hospital becomes the voluntary home of one patient. The hospital was closed in 1999, and parts of the complex were controversially used for haunted house attraction Spookers.
After working at the National Film Unit, the BBC and Canada's National Film Board, John Laing made his feature film debut as a director with Arthur Allan Thomas drama Beyond Reasonable Doubt (1980). Since then he has directed another six features, and many television shows and tele-movies. Laing has also produced for both Outrageous Fortune and Mercy Peak.
Since studying flute then completing a Bachelor of Music in composition, Michelle Scullion has composed for television, film, radio and stage. Her score for Bad Taste, the debut feature from Peter Jackson, was a vital component in the film’s armoury. Her screen work includes Flying Fox and a Freedom Tree, sci-fi thriller Eternity, and many short films, including four directed by Grant Lahood.
Director Tony Hiles has been making films and documentaries since the mid 1960s; from helming TVNZ staples such as Country Calendar, to independent docos whose subjects have ranged from the making of Peter Jackson's Bad Taste to architect Bill Toomath, and an ongoing series of films involving artist Michael Smither. In 1996 he won an NZ Film best director award for his debut feature Jack Brown Genius.