On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.
For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
NZ On Air began funding local content in 1989. Timing in with the launch of a new funding system, this collection looks back at the 20 most watched NZ On Air-funded programmes over the years (aside from news and sports). Ratings information is only available from 1995, so this is how things have shaped up from 1995 to 2016 — plus some bonus titles. Most of the Top 20 has been captioned. Ex NZ On Air exec Kathryn Quirk tells us here how the complete list rated, while original NZOA boss Ruth Harley remembers how it all began.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
NZ On Air is 30 years old! Over three decades, countless stories and songs reflecting New Zealand's culture and identity have been created, thanks to the organisation's investment of public funds. To celebrate this milestone, NZ On Air asked well-known Kiwis to reflect on a programme or song from the past 30 years that has stuck with them — then asked some of those who worked behind the scenes to provide their perspective. Plus Ruth Harley, the first boss of NZ On Air, describes how it all began.
In 1993, advice show Dilemmas introduced a new host to replace Australian GP Kerryn Phelps. With Marcus Lush at the helm, this episode features panelists Ginette McDonald, Alice Worsley and George Balani. Among the troubles the group deal with are an anonymous phone call about an affair, and a self-professed "nice guy" who can’t hold a date. Lush gets briefly distracted by an abundance of pens on his desk, before the team touch on problem smoking in the office and George Balani, resplendent in novelty Bugs Bunny tie, suggests calling in the Mongrel Mob.
Tough Act follows the 2005 intake of first-year acting students at Toi Whakaari, New Zealand's most famous drama school. This episode concentrates on two group assignments: a performance describing the students' journey after being accepted into the school, and a performance in te reo, using song and movement. The pressure involved in creating, rehearsing and performing to deadlines reveals striking personality differences within the class. This episode was one of two nominated for Best Children's Programme at the 2007 Air New Zealand Screen Awards.
This documentary is a view into the crucible that forged museum Te Papa, which opened on Wellington's waterfront in February 1998. Fascinating fly-on-the-wall moments are captured as a new kind of national museum is conceived. This excerpt features a board meeting where Saatchi & Saatchi present branding options. As political, ideological, creative and commercial considerations collide, the frustrations of decision making by committee are palpable: the body language, tears, cautions, grumbles, and finally, smiles, as they settle on the contentious thumbprint logo.
Singer-songwriter Anika Moa admits she wanted to be a rugby player. "I played for Canterbury for years. But I chose music". The decision paid off: in 2000 she became the first New Zealander to sign to an international record label without a home release. Although her debut album Thinking Room produced hit singles (‘Youthful', 'Falling in Love Again'), Moa wanted to "stay true to herself and her musical path", and returned to her Kiwi roots in 2002. Since then she has recorded a series of popular albums, and also composed music for a run of documentaries.