This 1982 Kaleidoscope report interviews artist Theo Schoon, on his return to New Zealand after a decade in Sydney and Bali. Schoon was a pioneer as a Pākehā engaging with Māori design, melding modernist and Māori motifs (e.g. moko and kowhaiwhai patterns). He discusses his earlier estrangement from the New Zealand art world ("talking to the deaf"), his eight years documenting Māori cave drawings ("art galleries of a sort, art galleries that I'd never been conscious of"), growing and carving gourds, and being inspired by Rotorua’s geothermal activity. Schoon died in 1985.
Gamelan music has been taught and played at Victoria University (and later the NZ School of Music) since the mid 70s, when lecturer Allan Thomas purchased a set of gamelan instruments on the Indonesian island of Java. This magazine piece from arts show 10AM showcases Victoria’s gamelan orchestra in action. Thomas and fellow lecturer Jack Body provide eloquent testimony to the popularity of this age-old music, and the access point it offers into Asian culture for New Zealanders. Body also provides his own spin on a gamelan composition.
Gareth Farr is recognised as a leading composer of contemporary music in New Zealand. Farr has many personas; composer for screen and stage, percussionist, and percussive drag artiste Lilith LaCroix. In 2006 Farr was made an Officer of the NZ Order of Merit.
Rachel Hunter is the girl from Glenfield who made the big time. Hunter won fame for her stellar career as an international supermodel, starting in the late 1980s. Her onscreen work has grown through the years with a range of television roles, from ice cream adverts to travel, talent and beauty shows — and a long list of acting credits ranging from thrillers to acclaimed dramas.
Although generally regarded as New Zealand's most successful international photographer, Brian Brake also worked in motion pictures, as both director and cinematographer. At the Government's National Film Unit he directed the first Kiwi film nominated for an Academy Award (Snows of Aorangi). Later he worked for prestigious photo agency Magnum, and featured in photo journals Life and National Geographic.