This raw and rowdy video gives a fleeting insight into the all-too-short life of Darcy Clay. Recorded on a primitive four-track tape machine, 'Jesus I Was Evil' was a demented fusion of country and garage rock that, combined with Clay's fetching Evel Knievel-style onesies, heralded the arrival of an eccentric new voice. Darcy's school friend David Gunson agreed to shoot the video for a few hundred dollars and a bottle of whisky — editor Ian Bennett ended up getting the whisky. The wry humour and energy captured in the video stands as a fitting testament to his subject.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
NZ On Screen's Car Collection is loaded with vehicles of every make and vintage, as a line-up of legendary Kiwis get behind the wheel — some acting the part. The talent includes Bruce McLaren, Scott Dixon, Bruno Lawrence, a clever canine, and a great many bent fenders. Onetime car show host Danny Mulheron tells tales, and picks out some personal favourites here.
The often controversial beliefs of Sir Lloyd Geering, New Zealand’s best known theologian, are examined in this Top Shelf documentary. In this excerpt he visits Jerusalem to argue that the resurrection of Jesus shouldn't be interpreted literally. Forty years earlier, this assertion divided the Presbyterian Church (where he was Principal of Knox College) and led to his heresy trial on charges of “doctrinal error and disturbing the peace of the church”. There is archive footage of an unrepentant Geering from the two-day trial, which was broadcast live by the NZ Broadcasting Corporation.
Saving Grace sees spiky street kid Grace (Kirsty Hamilton) get taken in by enigmatic carpenter, Gerald (Jim Moriarty). As Grace falls under (much older) Gerald's spell, she's flummoxed by his claim that he is the messiah. Could Gerald be Jesus of Cuba Street or is he a delusional dole bludger? The screenplay was adapted by Duncan Sarkies (Scarfies) from his stage play. Botes' dramatic feature debut converted fewer viewers than his earlier work, the classic hoodwinker Forgotten Silver; although critic Nicholas Reid welcomed an NZ film that offered "style and brains".
Shark in the Park was New Zealand’s first urban cop show. In this second season opener, Inspector Flynn (Jeffrey Thomas) and his team face restructuring and cutbacks from HQ, and a gang prospect (Toby Mills) is interrogated about a hit and run. Among the impressive cast of cops are Rima Te Wiata, Nathaniel Lees, and Russell Smith (It is I, Count Homogenized). This was the first episode made by Wellington company The Gibson Group, as Kiwi television entered an era of deregulation (Shark's previous series was one of the last made by TVNZ’s in-house drama department).
'Sui generis' is a Latin expression meaning "the only example of its kind, unique". This second edition of the anthology web series explores romantic life for Auckland’s LGBTQIA+ community in the second decade of the 21st century. Each episode is stand-alone and ranges in location from fancy dress parties, to Grindr hook-ups – "the connective tissue of each story is technology, apps and dating." These three episodes range from a tender romance which contains a surprise, to dating as dance routine, to a quirky encounter at a party. Warning: contains adult themes.
Eclectic comedy show Radiradirah featured Taika Waititi, Rhys Darby, Madeleine Sami and the talent behind animated hit bro'Town. The fast-paced sketch show included Monty Python-style animated inserts, the laconic talking sheep of The Pen, and bro'Town-ers Oscar Kightley and Dave Fane as elderly women who've done it all. This first episode introduces a number of ongoing characters, including an oddball alien with a beard, and crusading space captain Hemi T Cook (both played by Waititi). Radiradirah was created by bro'Town's Elizabeth Mitchell and Oscar Kightley.
Dancer Shona McCullagh’s award-winning debut short film offers a joyful fingers-up to gravity, dialogue, and the idea that nuns never get up to anything exciting. Two nuns flip twist and fly from bedside to beachside, turning a moving train carriage into a jungle gym (in-between desperately seeking solace from the call of nature). The footloose dance film did some travelling of its own: invited to over 30 festivals, including prestigious dance film festivals, and Edinburgh, Clermont-Ferrand, and Sundance (where it played before Kiwi feature Scarfies).
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).