By the time she died in 1947 aged 78, expat Frances Hodgkins was recognised as a key figure in British art. Subtitled 'A Painter of Genius', this 1989 Kaleidoscope portrait mixes archival material with recreations of Hodgkins working in England in the 1940s, and being interviewed by Vogue. Her "gypsy" life ranges from a Dunedin upbringing, leaving New Zealand in 1901, to painting and teaching in Europe, and struggles with poverty and health. After embracing modernism in the 1920s, her art combined still life and landscape in original ways. TV veteran (and artist) Peter Coates directs.
This David Farrier-fronted documentary traces the history of New Zealand's national anthem. Farrier dives into the archives to tell the story of the Thomas Bracken poem set to music by John Joseph Woods; and a band of 2011 musos have a bash at updating it. The patriotic ditty was first played at an Olympic medal ceremony when our rowing eight won gold in 1972, displacing 'God Save the Queen'; and it was adapted into Māori as early as 1882 but a te reo version still caused controversy in 1999. The doco screened on TV3 the day before the 2011 Rugby World Cup final.
John Toon is an award-winning cinematographer who has worked all over the world and in many genres. His early New Zealand TV jobs include The Governor and Moynihan, while his movie credits include Rain, Sylvia and Sunshine Cleaning (all shot for his wife, director Christine Jeffs), plus Broken English and Mr Pip.
This film documents Auckland's Round the Bays run. In 1980 jogging was booming, with coach Arthur Lydiard and a band of Olympic champs (Snell, Walker, etc) inspiring the way. Here, participants run and reflect, from a blind runner, to children and an army squad. Slo-mo sweat, sinew and samba shots frame the 70,000 runners as members of an infectious cult chasing the piper around the waterfront. Adidas, terry towelling and facial hair make the film a relaxed 70s update on Olympiad; directed by Sam Pillsbury it won awards at Chicago and Torino festivals.
John Toon's globetrotting award-winning career as a cinematographer encompasses documentary, shorts, TV drama (The Governor) and feature films — Rain, Mr Pip, Kingpin and Sunshine Cleaning among them. He has also shot and directed many commercials.
Actor and vocal teacher Sylvia Rands’ first big television role was playing Polly Hanlon, wife to the legendary barrister in Hanlon. Nominated again for movie Bonjour Timothy, Rands has gone on to act in Go Girls, Homeward Bound and cult comedy The Neighbourhood Network, inbetween a busy stage career.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
Maurice Gee, who was named an Arts Foundation icon in 2003, is one of New Zealand's most acclaimed writers. His work for the screen includes creating 80s kidult series The Fire-Raiser and The Champion. Gee's novels have also inspired a number of adaptations, notably classic sci-fi series Under the Mountain and movie In My Father's Den.
After boning up on set design at TVNZ and the BBC, Palmerston North-born Grant Major has gone on to design movies for Peter Jackson and Niki Caro. His work as a production designer on epics Lord of the Rings and King Kong resulted in a run of international accolades, including an Academy Award for Return of the King.
Tim White began his career producing fellow student Vincent Ward’s A State of Siege, and later joined him on the epic Map of the Human Heart. With a penchant for working with emerging talent, he has produced a run of films on both sides of the Tasman. His long slate — from Heath Ledger breakthrough Two Hands, to the acclaimed Out of the Blue — has established White as a leading Australasian producer.