This episode of C4's music series Homegrown Profiles looks at the long career of New Zealand heavy rock's favourite sons Shihad. Singer Jon Toogood talks frankly about the band's highs and lows, from forming at Wellington High School to the release of Love is the New Hate in 2005 (when this was made). In a sometimes brutally honest self-appraisal, Toogood talks about the band's success in Australia being tempered with too much drug-taking and ego, their ill-fated name change, and the great American dream that didn't quite work out as planned.
This David Farrier-fronted documentary traces the history of New Zealand's national anthem. Farrier dives into the archives to tell the story of the Thomas Bracken poem set to music by John Joseph Woods; and a band of 2011 musos have a bash at updating it. The patriotic ditty was first played at an Olympic medal ceremony when our rowing eight won gold in 1972, displacing 'God Save the Queen'; and it was adapted into Māori as early as 1882 but a te reo version still caused controversy in 1999. The doco screened on TV3 the day before the 2011 Rugby World Cup final.
In 1979 entertainer Ray Woolf went from co-hosting Two for One to his own chat show. This wide-ranging 'best of' episode from the end of the first season takes in bloopers, the victims of the Amityville Horror, Doctor Who Jon Pertwee, Gomer Pyle Jim Nabors, Norman Gunston, Alan Whicker, Frankie Howerd, Derek Nimmo, Diana Dors, Austin Mitchell, poet Pam Ayres, humorist Erma Bombeck and singer Billy Daniels — plus Kiwis Ricky May, Ian Fraser (on piano), Tina Cross, Selwyn Toogood and Precious McKenzie. Woolf, was judged 1979 TV Light Entertainer of the year.
Shihad have provided a guitar-driven soundtrack for a car-surfing, black jeans-garbed generation since 1988, without a single change in band membership. Led by Jon Toogood, Shihad's raw, no-holds-barred rock has produced hit albums The General Electric (1999), Pacifier (2002) and Beautiful Machine (2008), iconic singles (eg 'Home Again') and a committed Australasian fanbase. Evolutions into post-grunge and electro-punk, and a brief name-change (Pacifier) have not betrayed their metal roots, typified in legendary live performances. The band's story was told in 2012 documentary Shihad - Beautiful Machine.
In 2003 a trio of Otago University students hosted a private outdoor music gig at Waiohika Estate, just outside Gisborne. Today the Rhythm and Vines festival is a hot ticket internationally, a three day event full of tents, beers and cheers. 20/20 goes behind the scenes in the dying days of 2010, as Rhythm and Vines attracts a record-breaking crowd of 25,000 people. Festival founders Hamish Pinkham, Andrew Witters and Tom Gibson have to solve last minute hiccups to pull off the party. Shihad front man Jon Toogood describes it as "the Big Day Out in a forest".
‘Deb’s Night Out’ was a single from Shihad’s breakout second album Killjoy (1995). Director Chris Mauger’s video bypasses a literal take on the lyrics’ relationship paranoia for a deadpan depiction of cross-generational spirit. A young, sullen Jon Toogood is stuck in his denim jacket in the backseat with a couple of wine-guzzling oldies, en route to a suburban hall shin-dig. There the band gets down for some country and limbo dancing, the family-fun visuals contrasting with the song’s grinding guitar. Mauger’s stylistic touches include a canapé-cam.
This brooding collaboration with Ladi6 from Shihad frontman Jon Toogood's other project The Adults, is yet another departure from his hard rocking day job (although guitarist Shayne Carter briefly raises the temperature). Director Sam Peacocke's split screen video was shot at legendary Auckland studio The Lab (where The Adults recorded their debut album). Ladi6 anchors one side with a typically soulful performance while Toogood (uncharacteristically playing bass), Carter, drummer Gary Sullivan and engineer Nick Roughan are all serious intent beside her.
"There's just some things that I want to tell you" yells Jon Toogood on this track, as he addresses a bitter ex-lover he is very thankful to have got away from. The song is driven by drums, whose beats per minute are matched by the high speed editing of this video. The slices of live footage concentrate mostly on a long-haired Toogood, and a very large audience at the Big Day Out. A number of crowd surfers are among them. The single is from Shihad's second album Killjoy (1995) — their first to go gold in New Zealand.
The Nomad (aka DJ and producer, Daimon Schwalger) released one of New Zealand's first drum and bass albums, Movement, (co-produced by Tiki Taane) in 1998. The album caught the attention of British dance music pioneers Rockers Hi Fi and sparked a lengthy collaboration. The electronica extraordinaire has gone on to make six albums (Second Selection won a 2000 BNet music award for Best Dub Hip Hop Reggae Release); his latest featuring deck work with a stellar line up of Kiwi musicians, including King Kapisi and Jon Toogood.
A Kiwi supergroup, The Adults had their origins in songs written by Shihad frontman Jon Toogood that didn't suit that band. Instead, Toogood reached out to Shayne Carter (Straitjacket Fits, Dimmer) and Julia Deans (Fur Patrol) to help him record them for a solo project. The original songs were soon shelved in favour of all new collaborations and an album was recorded with a diverse pool of musicians including Anika Moa, Ladi6, Warren Maxwell (Little Bushman), Gary Sullivan (Dimmer, JPSE) and Tiki Taane (who co-produced the project with Toogood).