This collection celebrates a decade of NZ On Screen, and the most viewed titles for each of those 10 years. Britten – Backyard Visionary was the first; its popularity continues today. The naughty kea crashed the site the next year, and of course you must remember: "always blow on the pie". The loss of some legends saw user numbers swell, and you just can’t get enough of great ads. To mark the anniversary, check out pieces by past and present NZ On Screeners Brenda Leeuwenberg and Paul Stanley Ward, NZ On Air's Jane Wrightson and ex board member Roger Horrocks.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
John Reynolds is one of New Zealand's most talked-about contemporary artists. His diverse practice takes in painting, photography, clothing, tattooing and landscaping. Director Shirley Horrocks frames the film as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in his life, the film observes him as he makes and debuts a work (Cloud) at the 2006 Biennale of Sydney, and takes time out to appear in an episode of bro'Town.
In the late 80s the creation of a new public park in central Wellington became an act of cross-cultural collaboration, and an infamous battlezone between artist, council and naysayers. Following positive feedback over her design, council staff decided that redevelopment of Pigeon Park (an old pa site) would be led by Māori artist Shona Rapira Davies. This doco follows the passionate, stroppy Rapira Davies, as she fights cost overruns, landscape architects and passersby, and for her vision (which involved handcrafting Te Aro park's 20,000 plus ceramic tiles).
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
Writer Janet Frame (1924 - 2004) is an icon of New Zealand literature; her 'edge of the alphabet' use of language has seen her acclaimed as "one of the great writers of our time" (San Francisco Chronicle). This collection celebrates Frame's life and work on screen, from applauded Vincent Ward and Jane Campion translations to a rare TV interview with Michael Noonan.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
TVNZ’s flagship 80s arts show looks at Sir Toss Woollaston — a pioneer of modern art in New Zealand. Topics include his development as an artist and the “struggle of painting” (contra convention), difficult years trying to support a family, the influence of his wife, and the liberation he felt in his mid-50s when he could finally earn a living from painting. Woollaston is blunt but generous with his time and opinions. There are precious riffs off his famous description of wanting to paint the sunlight in a landscape, “after it had been absorbed by the earth”.
By the time she died in 1947 aged 78, expat Frances Hodgkins was recognised as a key figure in British art. Subtitled 'A Painter of Genius', this 1989 Kaleidoscope portrait mixes archival material with recreations of Hodgkins working in England in the 1940s, and being interviewed by Vogue. Her "gypsy" life ranges from a Dunedin upbringing, leaving New Zealand in 1901, to painting and teaching in Europe, and struggles with poverty and health. After embracing modernism in the 1920s, her art combined still life and landscape in original ways. TV veteran (and artist) Peter Coates directs.