Bill Ralston examines more family business empires in part two of Old Money. With varying mixes of vision, hard work and eccentricity, the Hudsons (biscuits), Sargoods (merchants), Hallensteins (clothing), Hannahs (shoes) and Shacklocks (ironmongers) made fortunes that gave their families grand houses and gracious lifestyles. Some of the brands have survived and their legacies include 65,000 items gifted to Otago museum by the Hallensteins and Downstage’s theatre endowed by Hannah money. (Robert Hannah was the maternal great-grandfather of director Jane Campion.)
They came, they battered, they bickered. Peter Hudson and David Halls were as famous for their on-screen spats as their recipes. The couple ("are we gay? Well we're certainly merry") turned cooking into comedy, and won Entertainer of the Year at the 1981 Feltex Awards. This 73-minute documentary explores their enduring relationship and tragic passing — from memorable early days entertaining dinner guests at home and running a shoe store, through to television fame in NZ and the UK. The interviews include close friends and many of those who worked with them in television.
This 70s current affairs show does a cost benefit analysis of Trade Minister Warren Freer’s Maximum Retail Price scheme (MRP), which capped retail prices. Drawn from an era of economic theory poles that was apart from the market deregulation of the 80s, the investigation sets out to poll opinion in supermarket aisles, a grocery in Glenorchy, and factory floors (Faggs coffee, Cadbury chocolate). The checkouts are a battlefield between red tape and free range retail. The early animated sequence by Bob Stenhouse marked an early use of animation in a local TV documentary.
Peter Hudson was the dark-haired half of Hudson and Halls, whose cookery show won high ratings and a 1981 public vote for entertainer of the year. Hudson and partner David Halls' shows were marked by comic banter, and the occasional oven fire. Later they relocated to London, to make programmes for the BBC.
Marcia Russell, OBE, blazed a trail for women working in print and screen journalism. Her TV work ranged from reporting and documentary making, to Beauty and the Beast panelist, and a key role in the creation of TV3. She was behind the award-winning Revolution series (surveying 80s Labour government reforms), and contributed to major series Landmarks and The New Zealand Wars. Russell died on 1 December 2012.
The multi-talented Jackie van Beek emerged from Wellington’s 90s theatre scene. After directing a run of award-winning shorts, her first feature The Inland Road was invited to the 2017 Berlin Film Festival. She went on to co-direct, co-write and co-star in comedy The Breaker Upperers, with Madeleine Sami. As an actor, van Beek is probably best known for her role in What We Do in the Shadows, as a vampire groupie.
Veteran producer Tom Parkinson has worked with some of New Zealand television's most popular comedians, including David McPhail, Jon Gadsby, and the late Billy T James (who he discovered in an Avondale Rugby League club). He also directed adventure series Hunter's Gold — whose international success helped launch a run of Kiwi-made children's dramas — and produced many international co-productions.
Jono Smith was 14 when he won the starring role as teenager Ned Poindexter in 50s-era coming of age classic The Scarecrow. After leaving school, Smith joined TVNZ and became a camera assistant. Since relocating to England in 1993 he has shot a raft of television projects, short films, and four features. In 2010 he co-produced acclaimed movie Sus.
Since relocating from the United Kingdom, Peter Roberts has made his mark in New Zealand as an editor. Roberts found his editing niche at TVNZ, before a prolific freelance career saw him cutting a string of documentaries, shorts, and features — including award-winning drama The Dark Horse. In 2013 he became the first editor to be elected President of the Directors and Editors Guild of New Zealand.
Reporter, musician and most importantly music fan, Dylan Taite can be fairly claimed as the man who brought some of the most left field musical talent to prime-time TV. Some of his interviews are legendary — others, like his sit-down with reggae legend Bob Marley, historically important. All were done with an eye for invention, a sharp turn of phrase and a touch of eccentricity that made his reports a must-see for music fans.