"How would your relationship with your best friend change if they were to change gender?" This is the intriguing proposition that led director Louise Leitch to make this 2016 Loading Doc. Best friends Neil (Leitch's husband) and Byron have been longtime climbing companions, but Byron’s shift from a male to female gender identity at 50 years old provides a challenge to their mateship that differs from any mountaineering obstacle. The mini documentary screened on SBS in Australia. The Spinoff’s Alex Casey called it a "moving, honest examination of an evolving friendship".
This black comedy sees Kiwi blokes Barry (Tim Gordon) and Kev (Jason Hoyte) set off into the sunrise for a day’s fishing. The ‘men alone’ glories of Godzone in a runabout are disrupted when they discover their attitudes towards domestic violence and sexuality are at odds. Director Adam Stevens adapted the story from a scene in Atrocities, a play written by Hoyte and Jonathon Brugh (aka Sugar and Spice). In 2001 Beautiful went to the New York, Melbourne and Montreal film festivals, before screening at Sundance; it won Best Short Film at the 2003 NZ Film Awards.
In this documentary, Kiwi icon Lynn of Tawa (Ginette McDonald) — she of mangled vowel fame — goes on the prowl in search of the ultimate Kiwi bloke. The girl from the suburbs explores the gamut of masculine mythology, from Man Alone to mateship, and asks "can a woman ever be a mate?". Made when the good keen man was facing up to the challenge from SNAGs, the documentary travels from the West Coast (for sex education) to a men's club, from rugby scrums to rabbit culls, and meets hunters, lawyers and gay ten-pin bowlers. The opening credits mispell Lynn as Lyn.
Apemen, Barbie dolls, and hairy shoes ... as this documentary demonstrates, hair turns up everywhere — or not, as one man's poignant and matter-of-fact testimony to the horrors of losing it demonstrates. Hair's co-director, artist Judy Darragh, uses her fascination with all-things hirsute as a springboard for wit, thought-provoking theories, and some unusual artwork. She also phones Welsh author Elaine Morgan, who believes our ancestors lost much of their hair thanks to a semi-aquatic past. Producer Fiona Copland joins Darragh as co-director.
On this episode of the book show hosted by novelist Emily Perkins, the panel discusses Rachael King’s gothic toned second novel Magpie Hall. There’s a visit to Governors Bay on Banks Peninsular to meet a book club with a multi-national feel; and TVNZ journalist Tim Wilson talks about his favourite book – the ultimate in weighty tomes, Proust’s Remembrance of Things Past. In his ‘Under the Covers’ piece, Finlay Macdonald explores ‘A Good Keen Man’, Barry Crump’s breakthrough novel from 1960 – the work of a “man of the land with the soul of a poet”.
Barry Crump's iconic deer hunting yarn A Good Keen Man captured Kiwi imaginations. Published in 1960, it quickly sold 300,000 copies, and with Crump cast as an "ironic, laconic sort of super-bushman", made him a legendary literary figure. This excerpt from the award-winning documentary looks at Crump's upbringing and early success as a writer. The full 72-minute documentary covers everything from his fractured family relationships, violence, a life-changing incident on a bush camp, and discovering religion, to the ads for Toyota that reignited Crump's profile in the 80s.
Smash Palace is a Kiwi cinema classic and launched Roger Donaldson's American career. Al Shaw (a brilliant, brooding Bruno Lawrence) is a racing car driver who now runs a wrecker's yard in the shadow of Mount Ruapehu. His French wife Jacqui is unhappy there and leaves him, taking up with Al's best mate. When she restricts Al's access to his young daughter, his frustration explodes and he goes bush with the girl, desperate not to lose her too. "There's no road back" runs the tagline. New Yorker critic Pauline Kael called the film "amazingly accomplished".
The Almighty Johnsons is a fantasy/comedy series that screened on New Zealand television over three series from 2011 to 2013. The show is about a family of brothers who are descended from Norse gods, desperately trying to restore their powers. While not a huge ratings success in New Zealand, the series has won a cult following in a number of countries.
Julian Arahanga shot into the public eye in 1994's Once Were Warriors, playing the son who becomes a gang-member. He followed it with a starring role in cross-cultural romance Broken English. Since then Arahanga has continued a prolific career working in front of, and increasingly behind the camera - including as producer and director on Māori Television series Songs from the Inside.