New Zealand’s first global pop success story made one of its earliest screen appearances on this TV talent quest. The episodes are no longer preserved, but a family friend of the Finns pointed his Super 8 camera at the television screen. The clips are combined with the band’s memories from 2005 radio documentary Enzology. Split Ends (the ‘z’ came later) competed in the 18 November heat with ‘129’, and a week later in the final, miming ‘Sweet Talking Spoon Song’. They lost to Wellington's Bulldogs Allstar Goodtime Band, with a pre-Simon Cowell Phil Warren judging the lads “too clever”.
Director Greg Stitt's 50min short sees actor Mark Hadlow playing Kevin: a pie cart worker obsessed with the singer Mario Lanza. Kevin's idolatry turns into an identity crisis as operatic-scale fantasising clashes with his meek disposition. Further complications arise from a friendship with his brash punk neighbour, and from stage fright ahead of a fundraiser for Kev's Lanza fan club (Lanza also had a noteworthy teenage fan club in Heavenly Creatures). Will Kev get his Susan Boyle moment? The black comedy was written with Scarecrow scribe Michael Heath.
This pirates of the South Seas tale stars Tommy Lee Jones (Men in Black, The Fugitive) as rogue Bully Hayes, who helps a missionary save his kidnapped-by-savages wife. Produced by Kiwis Rob Whitehouse and Lloyd Phillips (12 Monkeys, Inglorious Basterds), the film was made in the 80s ‘tax-break’ feature surge and filmed in Fiji and New Zealand (with an NZ crew and supporting cast). John Hughes (Breakfast Club) and David Odell (Dark Crystal) scripted the old-fashioned swashbuckler from a Phillips story. It was released by Paramount in the US as Nate and Hayes.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.
Owen Hughes segued directly from university to a job at independent production company Pacific Films. Since establishing his own company Frame Up Films in 1977, Hughes has gone on to produce 40 plus documentaries and many dramas. Along the way he has nurtured the talents of a number of directors early in their careers, including Niki Caro, Fiona Samuel and Jessica Hobbs.
After starring in feature Broken Barrier — the only New Zealand feature made in the 1950s — Terence Bayler departed for England, to continue a six-decade long acting career that encompassed Monty Python, William Shakespeare and Harry Potter. Born in Wanganui on 24 January 1930, Bayler passed away in England on 2 August 2016.
Remembered by his colleagues as “the leader in capturing New Zealand scenery on film from 1923 to 1954”, Bert Bridgman began his career as a cameraman in the days of silent film, and later directed the Centennial film One Hundred Crowded Years. He served as a war correspondent in the Pacific for the National Film Unit and was chief colour cameraman at the time of his death.
Geoffrey Cawthorn has directed drama and documentary on both sides of the Tasman, including crime (Lawless - Beyond Justice), soap (Shortland Street), fantasy (Maddigan’s Quest) and award-winning shorts (Philosophy). His documentary work often reflects Cawthorn’s musical leanings, including pieces on everything from classical and jazz to Kiwi love songs.
Lynton Diggle spent almost 25 years working as a director and cameraman for the government's National Film Unit, before launching his own company. Along the way, he filmed in Antarctica and the waters of Lake Taupō, captured major salvage operations at sea, and worked alongside legendary director David Lean (Lawrence of Arabia). Diggle passed away on 23 November 2018.
The late, great, Davina Whitehouse arrived in New Zealand from England in 1952, having already performed in more than 40 films. Active across multiple mediums — radio, stage, television and film — she also spent four years as an NZ Film Commission board-member. Whitehouse was still acting into her 80s.