'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
Actor Bruno Lawrence rounds out a handful (Buck, Billy T, The Topps, Crumpy) of Kiwi icons who have achieved sufficient mana to be recognised by an abbreviated name. His charisma was key to ground-breaking films, Smash Palace, The Quiet Earth and Utu. Jack Nicholson reputedly had Bruno envy. This collection celebrates his inimitable performances and life.
This wartime propaganda film from the NFU celebrates the role of women in the Air Force. Established in 1941 to free up men for other duties, more than 4,700 women served in the Women's Auxiliary Air Force during WWII. The film is also a recruitment vehicle. It shows WAAF members in traditional (for the time) roles such as sewing and typing. But more male-dominated jobs are being taken on as women are trained as metal workers, mechanics and drivers. And when they’re not working, the women relax by "knitting, drinking a cup of tea and talking."
Written by future Gloss creator Rosemary McLeod, this Television One sitcom satirised late 70s gender politics. It was filmed before a studio audience at Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson, who cast Bruno in his breakout lead role in a movie: Al Shaw in Smash Palace.
Once Were Warriors star Temuera Morrison plays another bully in this episode of te reo series Aroha. Morrison is arrogant mechanic Steam, who verbally abuses an overweight young employee nicknamed Meat Pie (Vince Ata). Steam also has the hots for Meat Pie's mother (Mere Boynton) — his cousin. The story follows the obese young man as he's manipulated by his mum, mocked by his workmates, and pushed around by strangers. One day Meat Pie snaps. The cast also includes Pio Terei (as a woman!), Mika (as a mechanic) and Tame Iti. Puhi Rangiaho (Waka Huia) directs.
This Contact documentary explores what it takes to make it as a motor racing driver: from the roar of speed to the ratio of skill, chance, sponsorship and the role of mechanics. Kiwi star Dave McMillan is followed from days of thunder downunder (where a spectacular crash leads to Formula Pacific victory) to leading the Super Vees in US before a near fatal 1980 accident. McMillan bounced back to win the New Zealand Grand Prix in 1981 and in 1982 won the North American Formula Atlantic Championship. He was inducted into the NZ MotorSport Wall of Fame in 2006.
One of the most influential cars of the 20th century, the compact Mini attained Kiwi icon status in 1981 after it starred in movie Goodbye Pork Pie. In these clips from the 1980s Kiwi automobile series, reporter Islay McLeod (then Islay Benge) interviews Pork Pie stunt driver Peter Zivkovic about his "fun" experience; motor racing legend Chris Amon takes a Mini for a spin around Manawatu's Manfield race track; and ex newsreader Dougal Stevenson talks to a mechanic about the pitfalls of the Mini, including a tendency to rust and slip out of gear.
In this 2011 Jam TV series, reporter Hadyn Jones motors around Aotearoa in a 1966 Ford Falcon and caravan to meet the locals. He starts his engine in Dargaville, where he meets mechanic Ken, who gets the 'blue beast' going; Ange, a mother of three who got a burnout car for her wedding anniversary; he chats with axe-man Jason Wynyard at the Arapohue A&P Show; plus a heap of Dalmatian Kiwis. Critic Karl du Fresne rated the series appointment viewing, with Jones possessing a "rare knack of being able to make them [interviewees] relax and reveal themselves on camera."
This 1982 film, made for the New Zealand Council for Recreation and Sport, is an impressionistic exploration of play. Child narrators talk about what play means to them, while the images capture young people engaged in recreation. The focus is on informal play: kids and teenagers at playgrounds, hunting for frogs, reading, skylarking in the snow, doing cartwheels on the beach, fixing motorbikes, skipping, stargazing and playing Space Attack. Seagulls inspire dreams of flight for a young girl, and a fancy dress ball for adults shows the enduring spirit of play.
This motors and mullets documentary focuses on a group who are obsessed by stock car racing. Shot by Stuart Dryburgh (Once Were Warriors) and Richard Scott, it follows a group of drivers and their crews and families, as they ready for Saturday night racing at Onehunga's Waikaraka Park Speedway. Hours are spent preparing and repairing the one-and-a-half tonne cars, which travel at up to 112 kilometres an hour in one of the few full contact motor sports. Passion, ego and cunning fuel the drama. Injuries and personal sacrifices are the price for the part-time petrol heads.