Sound designer Mike Hopkins worked on more than 20 feature films. Along the way he won wide respect for his craft and the humble dedication he applied to it. He won awards for his work on Kiwi classics Illustrious Energy, Crush and Heavenly Creatures, and Oscars for his sound editing on King Kong and the second Lord of the Rings movie. Hopkins died in a rafting accident on 30 December 2012.
When she made Mauri, Merata Mita became the first Māori woman to direct, write and produce a feature film. Mauri (meaning life force), is loosely set around a love triangle and explores cultural tensions, identity, and a changing way of life in a dwindling East Coast town. As with Barry Barclay's Ngati, Mauri played a key role in the burgeoning Māori screen industry; the production team numbered 33 Māori and 20 Pākehā, including interns from Hawkes Bay wānanga. NZ art icon Ralph Hotere helmed the production design; Māori activist Eva Rickard played kuia Kara.
The first movie written and directed by playwright Anthony McCarten is a portrait of a family melting down under the media spotlight. The comedy/drama stars Danielle Cormack in two roles — as a swimmer on the cusp of Olympic glory, and as the twin sister back home, looking on as her family descends into spats and bickering as they find the pressure to perform too much to bear. Via Satellite showcases a topline cast, including Tim Balme, Rima Te Wiata, and a scene-stealing and heavily-pregnant Jodie Dorday, who won an NZ TV and Film Award for her work.
This 1991 telefilm follows young undercover cop Tony (William Brandt) who gets in too deep when infiltrating a heroin ring in the underbelly of Wellington’s music and pub scene. The Kiwi noir tale was inspired by real-life undercover policeman Wayne Haussman, who was convicted of drug trafficking. Directed by Yvonne Mackay (The Silent One), it was made as a pilot for a series that never eventuated. At the 1993 NZ Film and Television Awards Undercover won Best TV Drama; Jennifer Ludlam was awarded for her role as Tony's ex-prostitute girlfriend. Cliff Curtis plays a musician.
This Depression-era road movie tails teen runaway Kate (Greer Robson) as she tags along with World War I veteran Patrick (Aussie actor Peter Phelps) — himself on the run after assaulting a repo man. The odd couple relationship grudgingly evolves as they often narrowly escape the law, and head north across the southern badlands. Director Sam Pillsbury's on the lam tale won wide praise, with Kevin Thomas in the LA Times calling it "pure enchantment". Robson's award-winning turn as the scamp followed up her breakthrough role in Smash Palace.
Shark in the Park was New Zealand’s first urban cop show. In this second season opener, Inspector Flynn (Jeffrey Thomas) and his team face restructuring and cutbacks from HQ, and a gang prospect (Toby Mills) is interrogated about a hit and run. Among the impressive cast of cops are Rima Te Wiata, Nathaniel Lees, and Russell Smith (It is I, Count Homogenized). This was the first episode made by Wellington company The Gibson Group, as Kiwi television entered an era of deregulation (Shark's previous series was one of the last made by TVNZ’s in-house drama department).
TV One drama Shark in the Park followed the lives of cops policing a Wellington city beat. This episode from the second series sees the team bust a street fight, and search for a missing teenage girl. An elderly shoplifter and a joyrider test the ethics of the diversion scheme, where minor offences don't result in a criminal record. Actors Tim Balme and Michael Galvin (Shortland Street) feature in early screen roles, as youngsters on the wrong side of the law. Galvin plays the dangerous driver – he also happens to be the son of Sergeant Jesson (Kevin J Wilson).
Crush is a tale of simmering sexuality set in Rotorua. Moral or sexual ambiguity pervades the narrative of conflicted desire. Its mix of blocked-up writer, spurting mud-pools, infatuated teen, eel farm, American femme fatale (Marcia Gay Harden), noir motels, limp pongas and wheelchairs, plays out in a symbolic NZ landscape not seen before (or since). Director Alison Maclean's debut feature (which she co-wrote with Anne Kennedy) played in competition at the Cannes Film Festival.
Noel (Patrick Smyth) and Faith (Kate Harcourt) are happily retired; they while away their time digging into the earth beneath their house and sifting for treasure from the knick-knacks and 'thingamajigs' of history. Then a tremor shakes up “Dad’s excavations”. Adopting a low-dialogue storytelling approach, this reflective tale of finding life and meaning in the small things marked a rare screenwriting credit for Vintner's Luck author Elizabeth Knox (collaborating with director Neil Pardington). It screened as part of Kiwi shorts showcase at the 1994 Cannes Film Festival.
In the wake of the Allied invasion of Normandy, US soldier Saul (Usual Suspect Gabriel Byrne) meets Belle, alleged to be a Nazi collaborator. He offers to stay in her cottage as Résistance accusers circle. The tragic tale of moral ambiguity during wartime was adapted from a novel by Kiwi MK Joseph. Filmed in France in 1988, director Larry Parr’s feature debut was troubled by the withdrawal of a French partner and bankruptcy of the US distributor; after film festival showings it screened on NZ television in 1995. French actor Marianne Basler won a 1992 NZ Film Award as Belle.