This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
This fifth episode of comedian Mike King’s Treaty discovery series goes on the trail of the two sheets that travelled around the Bay of Plenty in 1840. One, carrying a forged signature, travelled east with young trader James Fedarb (King asks why, despite gathering 26 signatures in 28 days, the salesman is largely missing from the history books); the other went south with a pair of missionaries. King learns about the Te Arawa and Tūwharetoa refuseniks from Paul Tapsell — and from Tamati Kruger, the reason Fedarb didn’t venture into Tūhoe territory.
This third episode of Mike King’s Treaty series heads north. After the 43 signatures at Waitangi on 6 February 1840, Queen Victoria decreed that more were needed for the Treaty to gain legitimacy, and Governor Hobson took the Waitangi Sheet to the people. King talks to Professor Pat Hohepa about the role of missionaries, and his tīpuna Mohi Tawhai. He visits key Northland locales — where he hears of anti-Treaty Pākehā like ‘Cannibal’ Jack Marmon — and meets a descendant of Nopera Panakareao, who recalls his ancestor’s famous shadowy reading of the Treaty.
This pirates of the South Seas tale stars Tommy Lee Jones (Men in Black, The Fugitive) as rogue Bully Hayes, who helps a missionary save his kidnapped-by-savages wife. Produced by Kiwis Rob Whitehouse and Lloyd Phillips (12 Monkeys, Inglorious Basterds), the film was made in the 80s ‘tax-break’ feature surge and filmed in Fiji and New Zealand (with an NZ crew and supporting cast). John Hughes (Breakfast Club) and David Odell (Dark Crystal) scripted the old-fashioned swashbuckler from a Phillips story. It was released by Paramount in the US as Nate and Hayes.
This 1951 National Film Unit production looks at the Cook Islands, and marks the 50th anniversary of the islands’ annexation in 1901. Unusually long (half an hour) for an NFU film, it shows history ("Vikings of the Pacific" through Captain Cook to New Zealand administration) and island life: spear-fishing, catamaran sailing, breadfruit gathering, weaving, dancing and singing. The islands are depicted as paradise guided by NZ paternalism, with the Islanders grateful recipients of modern communication, technology, health services, education, and... tinned meat.
Hokonui Todd is a portrait of African statesman Sir Garfield Todd (1908 - 2002). Todd was an outspoken supporter of black right to self determination in Rhodesia (which became Zimbabwe in 1980, after a bloody civil war). Here Todd and wife Gracie reflect on their lives: from their "egalitarian" New Zealand upbringing; their arrival in Rhodesia as missionary farmers; Todd's time as Prime Minister; being imprisoned by Ian Smith's racist white regime (along with daughter Judith); to emerging as a "conscience of the country" burdened with postcolonial troubles.
TV drama The Governor examined the life of Governor George Grey in six thematic parts. Grey's 'Good Governor' persona was undercut with laudanum, lechery and land confiscation. NZ televison's first historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. In first episode 'The Reverend Traitor', Grey arrives to colonial troubles: flag-pole chopping Hōne Heke, missionary Henry Williams, and rebellious Te Rauparaha. Writer Keith Aberdein goes behind the scenes here.
The major contribution made by horses to New Zealand’s development is investigated in this Bryan Bruce documentary – from the first to arrive (a stallion brought by missionary Samuel Marsden in 1814) to equestrian gold medallists and sires of Melbourne Cup winners in more recent years. This excerpt features extensive archive footage of some of the 10,000 horses sent to Europe and the Middle East during World War I (with only four returning); and talks to one of the last milk vendors to use a horse and cart (only retired with very mixed feelings in 1984).
Greenstone is the tale of a beautiful, missionary-educated Māori woman (Simone Kessell) whose romantic life is subject to the shifting loyalties of her father, Chief Te Manahau (George Henare). The cross-cultural elements of this ambitious colonial bodice-ripper were reflected off-screen as well: created by Greg McGee in response to a call by TV One for a local drama 'saga', the series saw major English creative input through being developed as a co-production with the BBC. After the withdrawal of BBC funding, the Tainui Corporation helped fund the eight-part series.
As a bitter civil war tears apart the lives of his students, an isolated English school teacher in Bougainville (House star Hugh Laurie) finds a unique way to create hope; 14-year-old Matilda (Xzannjah Matsi) is enthralled by his Charles Dickens-infused disaster survival lessons. The life during wartime tale was directed by Kiwi Andrew Adamson (Shrek), and adapted from the 2006 Booker Prize short-listed novel by Lloyd Jones. Adamson spent time in Papua New Guinea, as the teen son of missionary parents. Laurie and Matsi won best actor gongs at the 2013 Moa Awards.