In the late 1980s, Kiwi John Britten developed and built a revolutionary racing motorcycle. He pursued his dream all the way to Daytona International Speedway in Florida. In 1991 the underdog inventor came second against the biggest and richest manufacturers in the world. Britten: Backyard Visionary documents the maverick motorcycle designer as he and his crew rush to create an even better bike for the next Daytona. After arriving in Florida, another all-nighter is required to fix an untested vehicle with many major innovations. Costa Botes writes about the documentary here.
This notorious film looks at '70s bikie culture, focusing on Auckland's Hells Angels (the first Angels chapter outside of California). These not-so-easy riders — with sideburns and swastikas and fuelled by pies and beer — rev up the Triumphs, defend the creed, beat up students, cruise on the Interislander, provoke civic censure, and attend the Hastings Blossom Festival. After a funeral, Aotearoa's sons of anarchy head back on the highway. Bikies was banned by the NZBC — possibly due to the public urination, lane-crossing, chauvinism and pig's head activity.
This 1949 episode of the National Film Unit’s Weekly Review newsreel series goes on a jaunty whistle-stop tour across the country. It takes off on TEAL’s new flying boat (Ararangi), from Wellington’s Evans Bay on a cruise over to the Marlborough Sounds and back. We then stop to smell the tulips on a South Canterbury tulip farm; before revving up for dusty motorhead bliss in Whanganui as a swarm of motorcyclists contest the Motorcycle Grand Prix. The reel pulls up in an Auckland factory for a fascinating look at the manufacture of glamourous nylon stockings.
The highlight of this instalment of the NFU’s weekly newsreels is a report on a motorcycle grand prix, held at Cust in Canterbury, where speeds in excess of 100mph were reached in the 152 mile race — with 1,000 gallons of sump oil sprayed on roads to prepare the racing surface. From the Wellington waterfront, there is coverage of the arrival of a delegation of Australian ex-servicemen to meet their NZ counterparts; and an emotional United Nations appeal asks viewers to donate one day’s pay, profits, work or produce to help the world’s needy children.
Man. Woman. Motorcycle. Beach. Road. This short film makes clear that Rodney Charters had a certain way with images, long before he got busy shooting television (24, Roswell) in the USA. Charters directed Film Exercise while he was an arts student in Auckland in the 1960s. It helped him win a place at London's Royal College of Art. Favouring music and unusual angles over dialogue, the film celebrates the joys of being young and on the move, while capturing scenes of Auckland nightlife including a Mt Eden party. The La De Da's supply the custom-built soundtrack.
On a two week journey through India, Pio Terei discovers that if you want to relax, you should probably visit another country entirely. From Delhi to the deserts of Rajasthan, this full-length episode sees him trying every mode of transport — including tuk tuk, camel, elephant, motorcycle and train. Along the way he floats up the sacred Ganges River, visits the Taj Mahal, buys a Pashmina shawl for his wife, and eats a meal cooked in a dung oven, traditional-Rajasthani style. He also greets a great many locals, and remains upbeat despite the challenges of travelling in a very different culture.
Pioneering series Pukemanu (the NZBC’s first continuing drama) was set in a North Island timber town. Its portrait of the town’s folk offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; viewers and reviewers praised its Swannie-clad authenticity. This first episode sees a culture clash as a motorcycle gang (including a young Bruno Lawrence) comes to town and causes trouble, running Ray (Geoff Murphy) off the road; and stranded townie Diana (Ginette McDonald) falls in love with a local axeman while hunting.
In Only Son Sydney (Josh Thomson from 7 Days) tries to court the girl of his dreams, but is hampered by unwanted advice from his dead father. This short comedy was made for — and won — the 2010 48 Hours filmmaking competition. The bawdy rom-com twist on the father-son relationship comes from prolific production team thedownlowconcept (7 Days, Pop Goes the Weasel and several 48 Hour successes). Only Son went on to be an upstart winner at the 2010 Qantas Awards, winning for best short and best screenplay — the first time a 48 Hour film had done so.
Champion speedway driver Ivan Mauger powered and slid his motorbike around oval tracks to a record six world speedway titles from 1968 to 1979. In this documentary Mauger and his family recall his long career, from his boy racer beginnings — he argues that in Spain the heroes are bullfighters, but in Christchurch they were speedway riders — to his Western Springs farewell. David Lange also pays tribute. Mauger's focus on winning shines through: "if you show me a good loser, you show me someone who consistently loses". Mauger passed away in Australia on 16 April 2018.
Love, Speed and Loss is an extended documentary about racer Kim Newcombe, who turned heads in the 1970s on a König motorbike he developed and designed himself. Built around home movie footage and interviews with his charismatic, straight-talking widow Janeen, the film charts the couple's travels in Europe, and triumph on the track. Newcombe was killed racing in 1973, and posthumously finished second in that year's World 500cc Championship. Love, Speed and Loss won best documentary at the 2007 Qantas TV Awards and three Air NZ Screen gongs.