This documentary follows a Southern Alps ski competition for local and off season northern skiers. Organised by Coast to Coast impresario Robin Judkins, the ‘grand slam’ series begins with a chopper ride to Black Peak for powder 8 and telemark skiing; and then it's above Lake Wanaka for slalom, ski jumping, and a grunty "air, style and speed" mogul. Après-ski competing there's a springtime descent down Mt Taranaki. It wouldn't be Kiwi skiing without kea, and the discipline of the inner tube. The crisp sax and synth 80s score is by Hello Sailor's Dave McArtney.
The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward start this leg of the journey in Palmerston North, where they meet Centrepoint Theatre artistic director and actor Alison Quigan and sculptor Robert Jahnke. Next it's Wellington, and a chat about the bucket fountain in Cuba Mall, before they visit painter Marianne Muggeridge and drop in on Circa Theatre co-founder and actor Grant Tilly, who shares his secret passion for box making. They finish up with theatre-centric band Cloudboy, who discuss their music and their move from Dunedin to Wellington.
In this award-winning tourism promo, an easy-going narrator guides us through a land of contrasts — “where else would you find golf and geysers?”. The sights range from frozen to boiling lakes, characterful cities to odd natives (kiwi, takahē, carnivorous snails). Visual highlights include quirky road-signs (“beware of wind”, “slow workmen ahead”), toheroa digging and a flotilla of capsizing optimists. Directed by NFU veteran Ron Bowie, the film won an award at the 1963 Venice Film Festival, before headlining a special Amazing New Zealand season of shorts in NZ cinemas.
This 1949 NFU film is a whistle-stop tour of Aotearoa that, per the title, takes in the full gamut of the scenic wonderland. Splendidly filmed in Kodachrome, there are lakes (Tutira, Manapouri, Te Anau, Wakatipu), caves (Waitomo), mountains (Cook/Aoraki, Egmont/Taranaki) and forests and farms aplenty, with the occasional city sojourn and an obligatory ferry shot. In the narration indefatigable nature is harnessed for man’s needs and appreciation. Of note is a sequence on gum-collector Nicholas Yakas, who shows impressive agility as he scales a giant kauri.
In this third episode of Captain’s Log, Peter Elliott tracks Captain Cook’s journey down the west coast of the North Island. First he takes the Ranui down to Kaipara Harbour, before hitching a ride on the old kauri schooner Te Aroha to Queen Charlotte Sound. Elliott recounts the story of Cook’s realisation that a strait existed between the two islands, before a brief trip to Wellington on (now defunct) catamaran The Lynx. The episode's final stop is Elliott’s hometown of Lyttelton on the peninsula formerly known as Banks Island, where he takes a hair-raising dive on a lifeboat.
In September 2000 New Zealand's greatest athlete was surprised with the 'Big Red Book'. Paul Holmes reunites Snell with figures in his life, from the Rome 800m silver and bronze medallists, to Opunake locals, and influential coach Arthur Lydiard. The tribute to his peerless career includes footage of Olympic triumphs and world records, and revelation of a performance enhancing drug: Fanta. Snell expresses pride in his academic achievement, where — despite a faltering start at Mt Albert Grammar — he is now director of the Human Performance Lab, University of Texas.
This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.
Little Bushman muso Warren Maxwell goes west in this edition of The Gravy, to meet a trio of artists creating work in the shadow of Mt Taranaki. Waru Wharehoka, an autistic painter, makes abstract works, is obsessed with weapons and zombies, and takes Maxwell on a paddle beneath New Plymouth. Assemblage artist Dale Copeland scavenges plane wrecks on the mountain and dead friend's teeth for her art. And photographer Fiona Clark discusses why she used colour film to snap her controversial 1975 drag queen images, and using a photo to help save the Waitara River.
This edition of the NFU’s long-running Weekly Review series firstly looks at making of apparel for the 1950 Empire Games, including singlets "dyed in the traditional black". Then it’s down to Wellington Zoo to meet their new elephant, Maharanee; and across the harbour to examine earthmoving efforts to alter the Hutt River's course and save Barton’s Bush from being swept away. Lastly, it’s up Mt Egmont (aka Mt Taranaki) to follow good keen rangers trapping possums and shooting goats — some hiding up trees — to protect the native forest and slopes from erosion.
This documentary film tells the story of the Whanganui River. It recounts a Māori myth believing the river is the path carved by a god (Pukeonaki aka Mt Taranaki) in its journey from the volcanic plateau to the west coast. There is beautifully shot footage of Māori paddling a waka under tui-laden matai, and tourists cruising on steamers. In 1950 the NFU had become part of the Department of Tourism and Publicity (after accusations of political bias); and this film reflects the change, with a triumphant narrative of progress underpinning an often-bloody river history.