'My Old Man’s an All Black' was a big hit for the Howard Morrison Quartet in 1960. The song subverted 'My Old Man's a Dustman' to mock an apartheid South African decree banning Māori players from the touring All Blacks. In this 1990 performance, Morrison and Billy T James (months after heart surgery) update the song’s lyrics for a more recent controversy: the dropping of popular All Black captain Wayne 'Buck' Shelford. Howard ribs rugby’s supposed amateurism, and Billy T explains why Buck isn’t packing down in the scrum. The final haka includes an unexpected guest...
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
This documentary tells the life story of entertainer Sir Howard Morrison. He discusses his Te Arawa whakapapa, whānau, and Anglican faith. Made by Bryan Bruce, it Includes footage of Morrison's investiture, a visit to his old school Te Aute, early performances by the Howard Morrison Quartet in Rotorua, and performances from throughout his career. Morrison is candid about his ego, his foray into film, and his marriage. An especially touching moment is a visit to an old Tūhoe friend (Morrison spent his early years in the Urewera) with a cloak made for his father.
Ralph Hotere (Te Aupōuri) is regarded as one of New Zealand's greatest artists. This documentary by Merata Mita provides a perspective on his world, largely by way of framing his extensive body of work. Hotere remains famously tight-lipped throughout, but there are interviews with artists, friends and commentators, alongside scenes of Hotere working and of his contemporary home context. Mita's impressionistic film is set to a Hirini Melbourne-directed score of jazz, māori and pop songs, and poetry reading by Hotere's first wife Cilla McQueen.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
Purveyor of good grammar and master of words, Max Cryer has had an extensive career in the New Zealand entertainment industry.
James Tito, Maaka Pohatu, Matariki Whatarau and Francis Kora make up the Modern Māori Quartet.
After honing his skills in the Awapuni Concert Party, Howard Morrison found fame in the late 50s with the Howard Morrison Quartet. Regularly on tour, the group ranged across pop, country, rearrangements of Māori standards, and parodies — including creating the lyrics for apartheid send-up 'My Old Man's an All Black'. Morrison continued to perform solo after he called time on the quartet in 1964; a number of his concerts screened on television. His biggest solo success was 1981 chart-topper 'How Great Thou Art'. As a public servant, he worked to motivate Māori youth. Morrison passed away on 24 September 2009.