London-based jazz saxophonist Nathan Haines returns home to perform with the New Zealand Symphony Orchestra, where he's accompanied by his bassist father, Kevin, and guitarist brother, Joel in a musical family reunion. They've followed different paths since the mid-80s when Nathan was 14 and they used to play as a trio (seen here in archive footage). The NZSO concert features standards and new songs from the brothers. This documentary backgrounds those songs, and follows the tricky business of melding jazz group and orchestra in rehearsal and concert.
This Bill Ralston-fronted two part documentary looks at Auckland’s great family business empires: the Nathans (merchants and brewers), Myers (brewers), Wilsons and Hortons (newspapers) and Winstones (construction). With fortunes made in the pioneering days of the 19th Century, they created products that became household names and dynasties that dominated local commerce. Most failed to evolve and were picked off by the corporate raiders of the 1980s, but they left behind a legacy of fine homes, major buildings and community bequests.
Nathan Rarere was voicing the midnight to dawn shift at Hastings radio station 93FM while he was still at high school. Television fame followed in the 1990s, as one of the trio of presenters on madcap youth show Ice TV. Since then, many of his screen appearances have been in tandem with Oscar Kightley — from a run of TV3 sports shows, to bro'Town (Rarere provided voices for 12 characters), to co-hosting origins documentary Made in Taiwan. In 2015 Rarere hosted Māori Television's satirical news show Brown Eye. The following year he produced Māori TV sports show Play, and joined the breakfast crew on Radio Sport.
After an early screen appearance on Pulp Comedy and drama studies at Toi Whaakari, Nathan Meister has appeared in a host of feature-length titles. His TV roles include Rage and Tangiwai, but it's his frequent feature collaborations with director Jonathan King that have gained him the most exposure — with lead roles in Black Sheep (facing hordes of killer sheep) and a Moa-award nominated performance in REALITi.
Acclaimed saxophonist Nathan Haines was reared in a jazz family (father Kevin on bass, and brother Joel on guitar). Aged 19 he left New Zealand as an AGC Young Achiever to study in New York, and discovered the club scene. His bestselling 1994 debut Shift Left — which became one of New Zealand's biggest-selling jazz albums — set the template for his distinctive fusion of modern and traditional jazz sounds. A shift to the UK spawned several albums; track 'Earth is the Place’ became a club hit. Haines has toured with the NZSO, headlined at Ronnie Scott’s Jazz Club, and recorded with drum and bass man A-Sides.
Nathan Rarere landed a presenting role on What Now? in the 90s, but turned it down because he didn't want to be on TV. Eventually he changed his mind.
Buckle up as we blast from the past Russ le Roq, gameshow host Paul Henry, tweenaged Kimbra and catwalk model Rach. Paul Casserly primes the collection: "pig out on these pre-fame Kiwis, gaze upon their fresh faces and remember the good times, before they were famous, before they became household names, movie stars, action figures and flavours of ice-cream."
‘Beda’ featured on saxophonist Nathan Haines’ live album Soundkilla Sessions Vol 1 (1996). This 1997 music video — directed by Carla Rotondo — is a woozy showcase of Haines’ trademark clubland jazz, shot through with reds and yellows as the camera sways and swings around an Auckland laundromat. A couple of young women get ready for a night out, an old fella perves, a young Oliver Driver gets intimate next to the Surf, and an equally fresh-faced Paolo Rotondo gets lost inside his headphones and sheepskin jacket.
On ‘Lady Lywa’, Nathan Haines swaps his trademark saxophone for a flute, serving up a slice of sleekly sophisticated cool. The video captures a live performance at London’s Lovebuzz Studios, with a sharply suited Haines leading a five piece ensemble of seasoned players — including his long term collaborator, keyboardist/producer Mike Patto. The track was penned by Haines, and features on his 2013 long-player Vermillion Skies, which debuted on the local top five on release, and won him his third Best Jazz Album Tui at the 2014 New Zealand Music Awards.
As smooth and laid-back as the song, this Josh Frizzell-directed music video takes inspiration from the geometric designs of album covers from 1960s label Blue Note Records. The track is from saxophonist Nathan Haines’ debut Shift Left (then New Zealand’s best-selling jazz album). Here Haines is a precocious 22, bespectacled, with his hair cropped unusually short. Sani Sagala (aka Dei Hamo) turns up to add a rap overlay to the song's ‘acid jazz’ influenced sax grooves. Frizzell also directed videos for Emma Paki (System Virtue) and Urban Disturbance (Static).