Raoul Island is nearly 1000 kilometres northeast of New Zealand. For this Christmas Day 1988 report, TV One's Kurt Sanders paid a visit to the four-person NZ meteorological team serving there (plus Smelly the dog — “the unchallenged King of the Kermadecs”). Sanders follows future One News weather presenter Karen Olsen (then Karen Fisher) as she milks the cow, and heads through the nikau to take readings in the crater of Raoul’s active volcano. The uniquely-evolved island is now the Department of Conservation's most remote reserve.
Aotearoa's wildlife and unique landscape provided the inspiration for Meet the Locals, a partnership between TVNZ and the Department of Conservation. The series ran for six seasons from 2007, most of them on digital channel TVNZ 6 (then on TVNZ 7 for its final season). The four-minute episodes saw DOC staff doing everything from visiting a range of animals and snorkelling in marine reserves, to tramping and taking kids out on trips to the great outdoors. Nicola Toki (née Vallance) presented the series until 2010; later James Reardon and Les Judd took the reins.
This 2002 Touchdown series followed rangers working for the Department of Conservation and Ministry of Fisheries. The series covered work with threatened species — ranging from kākāpō, kiwi and native lizard recovery programmes, to Hector’s dolphin in marine reserves. Other episodes included management of Abel Tasman National Park, and mountain rescue work at Aoraki/Mount Cook. Ten 30 minute episodes screened on TV One. According to the Department of Conservation's annual report for 2002, the series attracted high ratings and received excellent reviews.
Arthur Everard spent almost two decades making films for the National Film Unit, including directing award-winning rugby short Score and joining the team behind Commonwealth Games doco Games ’74. In 1984, Everard became New Zealand’s Chief Film Censor, a position he held for six years.
Peter Hayden’s long storytelling career spans fact, fiction, feather and fur. Hayden has worked extensively behind the scenes on a run of nature documentaries, made for company NHNZ. His acting career includes roles in classic goldmining drama Illustrious Energy and Maurice Gee series The Fire-Raiser. In 2017 Hayden was made a Member of the New Zealand Order of Merit, for services to film and television.
Mitchell Manuel burst onto the small screen in Mike Walker's 1981 bros-in-borstal drama Kingi's Story, playing the title role of a petty thief. Manuel followed it with acting and writing credits for acclaimed feature Kingpin (1985) and tele-movie Mark II (1986) — for which he won critical praise, and a best acting award.
Australian-raised Melanie Rodriga (née Read) moved to New Zealand in 1977, and worked as an editor. After adapting Keri Hulme story Hooks and Feelers, she wrote and directed feminist thriller Trial Run in 1983. In 1988 Rodriga was a best director finalist for pioneering TV drama The Marching Girls. Rodriga now lectures in film at Perth’s Murdoch University and continues to make and develop films.
Morton Wilson began composing for film while playing in band Schtung. Hagen and fellow band member Andrew Hagen went on to provide music for a quartet of Kiwi movies, including The Scarecrow and Kingpin. In 1981 they moved to Hong Kong and got even busier, composing commercials. Wilson went on to oversee Schtung sound studios in Hong Kong, Singapore and Shanghai, while Hagen launched Schtung in Hollywood.
David Beatson's 50 year career included high profile stints in TV current affairs: reporting, interviewing and producing for shows like Town and Around, Compass, Gallery, and Eyewitness, and chairing election debates. Beatson went on to edit The Listener, and was a press secretary to PM Jim Bolger and spokesperson for Air NZ. He served on the boards of various media organisations, and was chairman of NZ On Air.
The son of legendary Pacific Films producer John O’Shea, Rory O’Shea made his mark as a camera operator and lighting cameraman of sensitivity and skill. His artistically-composed images complemented and enhanced the vision of key collaborators like directors Tony Williams and Barry Barclay.