Flightless and nocturnal, the kākāpō is the world's heaviest parrot. By the 1970s the mysterious, moss-coloured bird was facing extinction, "evicted" to Fiordland mountains and Stewart Island by stoats and cats. Thanks to innovative night vision equipment, this film captured for the first time the bird's idiosyncratic courtship rituals, and the first chick found in a century. Marking the directing debut of NHNZ veteran Rod Morris, it screened in the Feltex Award-winning second season of Wild South, and won acclaim at the 1984 International Wildlife Film Festival.
This award-winning documentary from NHNZ reveals new information about the origins of the iconic kiwi. Presenter Peter Elliott travels the country investigating how "evolutionary mutants" — like giant meat-eating snails, kiwi, and tuatara — evolved over 20 million years in the face of massive tectonic upheavals and extreme isolation. Elliott answers why Aotearoa has the "weirdest creatures", such as birds that don't fly and mammals that do. Company Weta Workshop used computer graphics to create images of extinct creatures for this TV One documentary.
Long isolated, New Zealand contains a world of Alice Through the Looking Glass natural oddities: birds, insects and plants like nowhere else. Scientist Jared Diamond remarked "it is the nearest approach to life on another planet". Palaeontology (from Professor Michael Archer) and Māori myth (told by Hirini Melbourne) reveal these 'Ghosts of Gondwana'. Then cutting edge camera techniques (earning a Merit Award at 2002 International Wildlife Film Festival) delve into a night world of bat-filled tree trunk saunas, “demon grasshopper” wētā, and furry kiwi with chopstick bills.
This documentary tells the tenuous survivor story of the kākāpō: the nocturnal flightless green parrot with "big sideburns and Victorian gentlemen's face" (as comedian Stephen Fry put it). A sole breeding population for the evolutionary oddity (the world's largest parrot; it can live up to 120 years) is marooned on remote Codfish Island. The award-winning film had rare access to the recovery programme and its dramatic challenges. This excerpt sees a rugged journey to the island to search for a kākāpō named 'Bill', and witnesses the "bizarre ballad" of its mating boom.
In this first feature film from writer/director Greg Page, two urban bloke best friends take off on a surfing weekend. Their prospects of finding fun go down with the sun. Instead of enjoying surf and black sand, the boys find themselves lost in a rural nightmare, battling an inescapable curse and nocturnal field bogans. Page, known for his high energy music videos, wheel-spins city limits phobia into the Waikato heartland for a Kiwi twist on thriller genre thrills. Horrorview.com called it: "different and inventive enough to stand out from the crowd."
In the days before 24-hour television, there was Goodnight Kiwi, a short animation from Sam Harvey that bade viewers goodnight once the day's broadcasting ended. Each night the plucky Kiwi shut up shop at the TV station, put out the milk, and caught the lift up to sleep in a satellite dish with The Cat. For a generation of kids, Goodnight Kiwi became a much-loved symbol of staying up well past your bedtime. Viewers never questioned why our nocturnal national icon was going to bed at night, or sharing a bed with a cat. The tune is an arrangement of Māori lullaby 'Hine e Hine'.
For 80 million years, Moa's Ark was mammal free. Then, in the last 1000 years, humans arrived from Polynesia and Europe, and as presenter David Bellamy discovers, changed these islands at a rate unparalleled in the peopling of this planet. Bellamy channels Indiana Jones and hangs from old man's beard vines to assess the impact. The episode features footage of a beautiful dawn chorus, of the kiwi and the nocturnal kakapo (the world's largest, rarest parrot), cave drawings of the moa-hunters, plus Māori harakeke weaving and a hangi with Tipene O'Regan.
This award-winning NFU short focuses on the tuatara, the sole survivor of a reptile species extinct for 135 million years. An NZ Wildlife Service (now DoC) team search for the nocturnal reptiles on Stephens Island sanctuary (aka Takapourewa) as they hunt for insects. Voiceover is eschewed in favour of natural sound and composer Jack Body’s evocative soundtrack.The tuatara are weighed and measured; they can grow up to 80 centimetres, weigh over a kilogram and live 150 years. There were about 100,000 tuatara on Stephens Island when the documentary was made in 1981.
Why is New Zealand's landscape and flora and fauna so unique? In four-part series Moa's Ark, renowned English naturalist David Bellamy, with his impassioned enthusiasm and trademark beard (of "old man's beard must go" fame) goes on a journey to discover the answer. Directed and produced by Peter Hayden, this 1990 TV series was produced by Television New Zealand's award-winning Natural History Unit (now independent production company NHNZ). Read more about the series here.
Veteran producer Michael Stedman, ONZM, was commander of Dunedin's Natural History Unit and head of programme production for TVNZ — at the same time. In 1997 he helped arrange the deal that saw the unit sold to Fox Television and renamed NHNZ, while still keeping its main base in New Zealand. Stedman became managing director of one of the world's largest producers of wildlife and factual programming.