This collection brings together over 60 titles covering Kiwis at war. Iconic documentaries and films tell stories of terrible cost, heroism and kinship. There are also background pieces by historians Chris Pugsley and Jock Phillips, and broadcaster Ian Johnstone. Pugsley muses, "It is sobering to think that in the first half of the 20th Century the big OE for most New Zealanders was going to war."
Fronted by Paul Holmes, this doco looks at the New Zealand Paralympic team at the 1996 Paralympics in Atlanta. It was the most successful team to date with a haul of nine gold medals, six silver and four bronze (and 44 personal bests). Triumph focuses on several disabled Kiwi athletes, from their arrival in the States to victory on the track, in the pool and on the field. The first Paralympics were held in Rome in 1960 with just 400 competitors. In Atlanta 3,500 athletes competed, 35 of them kiwis. Triumph broke ground screening in a primetime slot on TV One.
This 1991 story from magazine show Sunday profiles Logan Brewer: production designer on Kiwi TV classics (C’Mon, Hunter’s Gold), and producer of Terry and the Gunrunners and live ‘spectaculars’ like the 1990 Commonwealth Games opening ceremony. He talks through his career: learning about performing at England's National Theatre, and selling Aotearoa as “the last paradise” for Expo '92 in Seville — for which he is shown wrangling an extended shot of Kiri Te Kanawa and the NZ Symphony Orchestra, promoting fibreglass pohutukawa, and working with designer Grant Major.
Set during the 1974 Commonwealth Games, thriller-fantasy series The Games Affair was NZ telly's first children's serial. Remembered fondly by 70s kids, it follows three teenagers battling a miscreant professor who's experimenting on athletes. The second episode begins with the trio finding a performance-enhanced (by nifty stop-motion) beach runner. The trail takes them to QEII Park for the Games' opening ceremony where they confront the villains, and — via pioneering DIY FX — deflate John Bach Flat Stanley-style. Note: the episode has nothing to do with toilets.
Presented by Paul Holmes, this documentary follows the team of 13 Kiwi competitors at the Barcelona 1992 Paralympics. Swimmer Jenny Newstead won four gold medals and broke world records, but for this small team the focus was on personal bests as they headed into a more professional era. There's triumph and disappointment, mixed with the message that these were elite athletes competing strongly against the rest of the world. The lessons learned in Barcelona would lead to a much stronger showing four years later in Atlanta.
Television producer Gavin Wood has worked on some of New Zealand’s biggest game shows and live events. His first producing role saw him bring Sale of the Century to our screens, which was soon joined by Wheel of Fortune. His career path led him from TVNZ to TV3, then offshore working for FremantleMedia. Returning to New Zealand, Wood turned his producing talents to the third season of New Zealand Idol, TV coverage of the state funeral of Sir Paul Reeves, and the Pike River and Christchurch earthquake memorial services.
This episode of the Sticky Pictures’ arts show covers a 13 July 2008 concert that combined the musical talents of the Little Bushman with composer John Psathas and the Auckland Philharmonia. Trinity Roots alumnus Warren Maxwell is the frontman for Little Bushman and is a behind-the-scenes guide as they prepare their trademark psychedelic blues for Psathas (Olympics 2004 opening ceremony score composer) to wrangle for orchestral collaboration. Philharmonia met harmonica in one-off gig at Auckland Town Hall. The doco was directed by Mark Albiston.
Bilingual Māori singer Ria Hall (Ngāi Te Rangi, Ngāti Ranginui, Te Whānau ā Apanui, Ngāti Porou, Ngāti Tūwharetoa, Waikato) was born in Tauranga and has a background in kapa haka. She fronted reggae band Hope Road and has been a live backing vocalist for Hollie Smith and Trinity Roots. Hall describes her own music as "roots/neo-soul". She sang the Rugby World Cup anthem at the 2011 opening ceremony; the following year her self-titled album was named album of the year at the NZ Music Awards.
This edition of the National Film Unit’s long-running monthly magazine series features a diverse line-up. The first report covers the opening ceremony of the meeting house at Waiwhetu Marae, Lower Hutt, where Prime Minister Walter Nash and Sir Eruera Tirikatene receive the pōwhiri and haka. Then it’s a canter to Auckland’s 1960 Pony Club Championships; before flowing down south for the diversion of the Waitaki River in the Otago town of Otematata, as part of the Benmore hydroelectric scheme: a massive earth dam destined to be the “powerhouse of the South Island”.
After years of protest, agitation, and court hearings, the Māori Television Service finally launched on 28 March 2004. This is the first 30 minutes that went to air. Presented by Julian Wilcox and Rongomaianiwaniwa Milroy, the transmission begins with a traditional montage of Aotearoa scenic wonder (with a twist of tangata whenua); the launch proper opens with a dawn ceremony at Māori Television's Newmarket offices, featuring MPs and other dignitaries. Wilcox also gives background information on the channel and outlines upcoming programming highlights.