From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
This silent film from 1945 showcases the making of “to-day’s great drink” (beer!), at Dominion Breweries’ Waitemata Brewery in the Auckland suburb of Otahuhu. Post-war, beer consumption was about to boom, with DB set to meet the demand. The film extols automation throughout the production process (though humans are seen contributing to the craft). Beer was still being brewed on the Otahuhu site 70 years later. Made by pioneering commercial filmmaker Robert Steele, the 16mm silent film was likely made for screening at trade fairs or winter shows.
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
In Samoan-born director Sima Urale's first feature, two mothers from very different Aotearoa cultures find the courage to confront the secrets of the past, in order to set their sons free. Hard-working Lorna runs an old-fashioned cake shop and lives with her unemployed son. For Anita, star of an Indian cooking show, things come to a head when her son decides to meet her estranged sister Tara, who runs a no-frills curry house. Apron Strings debuted in the Discovery Section of the 2008 Toronto Film Festival. It won four Qantas awards, including for actors Jennifer Ludlam and Scott Wills.
Anne and Gordon left high school unable to read or write to a basic level. This documentary follows their progress with the Auckland Adult Literacy Scheme, and culminates with the pair sitting the written and oral exam for their drivers' licence. Anne found innovative ways around the kids' bedtime stories, but froze when it came to filling in forms. Gordon has been driving illegally for years; he wants to ace his drivers' test and finds an acceptance within the Adult Literacy Scheme he never did at school. The First Hand series has a stripped back style, using small cameras and crews.
Actor Robbie Magasiva and discus champ Beatrice Faumuina oversee this hour-long Tagata Pasifika 20th birthday celebration. Presenters past and present survey changes in the Aotearoa PI community over the show’s run: from education, arts and culture (Ardijah, OMC, Michel Tuffery’s corned beef bulls and the Naked Samoans), to political pioneers (Mark Gosche, Winnie Laban), and sports heroes (All Black icons Jones, Lomu and Umaga). Among those talking about the show’s importance to NZ Pasifika culture are Helen Clark, Annie Crummer and many others.
This documentary follows the build-up by the Auckland Warriors to their first match in Australia’s National Rugby League competition (against the Brisbane Broncos). They are the first offshore club to compete in the NRL. The excitement and routines of a burgeoning pro sport franchise — from training to brand development — are captured alongside player profiles: Dean Bell is captain, coach is John Monie, and future Kiwi league legend Stacey Jones is an 18-year-old rising star. Presented by Temuera Morrison, the score is hard rock, and the jersey sponsor is DB Bitter.
This infectious hip hop hit marked Savage’s solo debut, after his previous recordings with The Deceptikonz. A NZ chart-topper for five weeks, it went platinum in the USA (helped by its placement in Hollywood comedy Knocked Up and as the soundtrack for its DVD menu). For her video, director Sophie Findlay created a laundromat from scratch in an empty Otahuhu shop. In it she intersperses an undersized Savage and 70s-themed dancing girls with darker, more contemporary hip hop imagery. It must be all a dream, because the pimply palagi teenager is the tough guy.
Director, actor and ex-stand-up comedian Danny Mulheron has a take no prisoners approach to comedy — and to interviews. Among other topics, this Funny As conversation sees Mulheron: Doing a foul-mouthed impression of teacher Mr Gormsby — the stand-up character who featured in Mulheron's comedy series Seven Periods with Mr Gormsby Describing finding most of the show's "fantastic" cast of high school students on location in Wainuiomata — "they knew what it was like to be outcast" Recalling how Peter Jackson puppet movie Meet the Feebles was made to be "as grotesque, and stupid and offensive" as possible — and being asked to mock-execute someone, while dressed in his hippo costume Remembering the reaction to pioneering Pasifika TV comedy The Semisis — "We were mobbed in Ōtāhuhu in KFCs, but avoided in Ponsonby" Talking about his dislike of puns, being a "grotesque" actor, and past adventures in Hollywood
Veteran cameraman Richard S Long has captured images everywhere from Singapore to the Southern Alps. Long's career began by shooting news for TVNZ in the mid 1970s. He then moved on to filming lifestyle and drama programmes like Heroes and Holiday. Long also did extended time directing commercials in Asia, before returning home and writing and directing his first feature Not for Children.