This slickly art-directed music video makes a big nod to cult movie A Clockwork Orange, with the band delivering great performances in the Korova Milk Bar and en route to mayhem. Lead singer Jon Toogood bears an uncanny likeness to psychopath Alex (played by Malcolm McDowell in the 1971 film) in the Jolyon Watkins-directed clip. An interesting piece of trivia for the Kiwi Clockwork connections' file: an artwork from NZ artist Ted Bullmore appeared on the wall of Mr Alexander's home in the inspirational film.
This episode of C4's music series Homegrown Profiles looks at the long career of New Zealand heavy rock's favourite sons Shihad. Singer Jon Toogood talks frankly about the band's highs and lows, from forming at Wellington High School to the release of Love is the New Hate in 2005 (when this was made). In a sometimes brutally honest self-appraisal, Toogood talks about the band's success in Australia being tempered with too much drug-taking and ego, their ill-fated name change, and the great American dream that didn't quite work out as planned.
Shihad have provided a guitar-driven soundtrack for a car-surfing, black jeans-garbed generation since 1988, without a single change in band membership. Led by Jon Toogood, Shihad's raw, no-holds-barred rock has produced hit albums The General Electric (1999), Pacifier (2002) and Beautiful Machine (2008), iconic singles (eg 'Home Again') and a committed Australasian fanbase. Evolutions into post-grunge and electro-punk, and a brief name-change (Pacifier) have not betrayed their metal roots, typified in legendary live performances. The band's story was told in 2012 documentary Shihad - Beautiful Machine.
Homegrown Profiles was a spin-off from music channel C4's local music series Homegrown. Screened in 2005, the interview-based show featured episodes devoted to the Finn Brothers, Dave Dobbyn, Bic Runga, Anika Moa, Shihad and Che Fu. The hour-long programmes were based around an extended interview with each artist, intercut with music videos and other performance material— all held together with a well-scripted narration by researcher/ interviewer/ director Jane Yee. Yee writes about making the show here.