Sir Howard Morrison (1935 - 2009) was a Kiwi show business icon. This collection is a celebration of 'Ol' Brown Eyes' on screen. From classic concerts and performances of 'Whakaaria Mai', to riffing with with Billy T James; from hosting Top Town, to starring in 60s feature film Don't Let it Get You, to a This is Your Life tribute. Ray Columbus: "He was a master entertainer".

Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.

Labour Day commemorates the struggle for an eight-hour working day. Kiwi workers were among the first in the world to claim this right — in 1840, carpenter Samuel Parnell won an eight-hour day for workers in Wellington. This collection brings together 20 titles that involve Kiwi working life: from economic revolutions and an industrial dispute negotiated live on air (Post Office Go Slow), to public service comedy Gliding On and a portrait of union leader Ken Douglas.

In this Kaleidoscope report, Lorna Hope profiles poet, novelist and critic CK Stead as he resigns from his position as a Professor of English at Auckland University to write full time. Stead is filmed teaching, writing (at his Karekare bach), at home in Parnell, and at Frank Sargeson’s Takapuna house. He discusses his academic career, family life, walking for inspiration, and how he began writing as a teen. He also mentions his novel Smith’s Dream (adapted into 1977 feature film Sleeping Dogs), and how its themes are echoed in the 1981 Springbok Tour protests, where Stead was arrested. 

This TVNZ show explores 90s grand designs, and the people who live in them. This episode from the fourth season sees Dave Cull quizzing husband and wife architect team Colin and Lindy Leuschke on the challenges of designing their Parnell home, and checks out a pimped up house trailer inspired by technology show Beyond 2000. Jude Dobson visits a Kiwiana classic: Fred and Myrtle Flutey's Bluff paua shell home; and Jim Hickey meets a Remuera reproduction antique importer. The opening titles are a showcase of computer graphics from the era.

This Pacific Films short provides a vivid snapshot of Australasian motor racing’s coming of age, before brand sponsorship or even crowd safety was on the agenda (look ma, no barriers!) Opening with the ’56 Australian Grand Prix on the streets of Melbourne — where producer Roger Mirams was shooting official newsreels for the Olympics — Stirling Moss scoops another international title, before we head to Auckland where the tragic death of Ken Wharton and a ‘see-sawing duel’ between Reg Parnell and Peter Whitehead makes for a dramatic day at Ardmore.

In this 1986 Kaleidoscope piece, presenter Mark Wigley offers his take on grand designs in Auckland housing. Fresh from completing a doctorate at Auckland University in architectural theory, Wigley argues that New Zealand has "had a building tradition rather than an architectural tradition". He finds that contemporary houses (from a David Mitchell-designed house in Parnell, to a Paritai Drive mansion) are starting to explore potential beyond simple boxes, toward being works of art. Wigley went on to become Dean of Architecture at Columbia University in the United States.

On Valentine's Day 2006 Shortland Street featured its first civil union, between lesbians Jay Copeland (Jaime Passier-Armstong) and Maia Jeffries (Anna Jullienne). The ceremony was aptly flush with pink decor and took place in Parnell’s Rose Gardens. Alas it was picketed by Serenity Church protestors and the union later ended — after Jay had an affair … with a man! In 1994 Shortland Street had earlier broken mainstream ground for the LGBT community with a lesbian kiss, between Dr Meredith Fleming (Stephanie Wilkin) and nurse Annie Flynn (Rebecca Hobbs).