Flightless and nocturnal, the kākāpō is the world's heaviest parrot. By the 1970s the mysterious, moss-coloured bird was facing extinction, "evicted" to Fiordland mountains and Stewart Island by stoats and cats. Thanks to innovative night vision equipment, this film captured for the first time the bird's idiosyncratic courtship rituals, and the first chick found in a century. Marking the directing debut of NHNZ veteran Rod Morris, it screened in the Feltex Award-winning second season of Wild South, and won acclaim at the 1984 International Wildlife Film Festival.
This documentary tells the story of the inimitable kea. The 'Clown of the Alps' is heralded as the world’s smartest bird (its intelligence rivals a monkey’s). Kea are famous on South Island tracks and ski fields for their insatiable (and destructive) inquisitiveness. Curiosity almost killed the kea when it was labelled a sheep killer, and tens of thousands were killed for a bounty. After shots of baby kea being fed, there is extraordinary night footage in clip four of the 'avian wolf' in action. The award-winning film makes a compelling case for the charismatic kea as a national icon.
Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.
Snow collects together titles celebrating the scenic, recreational and spiritual call of New Zealand's mountains and ice. They include retro ski classics Flare and Off the Edge, Sir Ed saga Kaipo Wall, and NZ's first Oscar nominated film Snows of Aorangi. The collection features everything from ski ballet, Middle Earth glaciers and mountain parrots, to polar ice-fishing.
The devastating effects of introduced wasps in New Zealand, particularly on kaka (the forest parrot, here beautifully filmed) remain a serious issue. The horde of yellow and black marauders has left scientists struggling to protect animal and human victims. This film looks at the effect on the ecosystem of wasps, who compete with natives for honeydew and prey upon insects. Bandits of the Beech Forest won the Environment Prize for Best Film Illustrating Protection, Preservation or Conservation of Bird Life at the Festival du Film de l'Oiseau.
This 1962 National Film Unit short uses the relationship between Māori and manu (birds) as a platform to celebrate New Zealand bush birds — from food source and key roles in myth, to their general character. Legend of Birds was filmed on Kāpiti and Little Barrier Islands. Many of the images were captured by noted nature photographers Kenneth and Jean Bigwood, and the score is by composer Larry Pruden. The narration includes a rap-style tribute to the kākā parrot: “squarks about his indigestion, population and congestion … politics the current question”.
While Rawiri Paratene was directing TV's Korero Mai, conversation turned to Intrepid Journeys, and he mentioned offhandedly that he'd love to be a presenter. At the end of the day Paratene got an urgent message to call his agent: the Intrepid producers wanted him to guide an episode. Weeks later he found himself in Nicaragua, engaging with the people, places and troubled history of the country. But as this excerpt shows, it is the children who will live on in his memory. Paratene proves himself a generous host, revealing something of himself as much as Nicaragua.
Director Peter Coates pays tribute to the intelligence and wit of the world’s only mountain parrot in this Survey documentary; as a Christchurch Star review put it, "they must be the least camera-shy birds in creation". The kea’s antics are aided by Ian McDonald’s playful score, plus interviews with expert Dick Jackson, lecturer Les Cleveland, climber John Pascoe, a ranger, a tramper, and a farmer who describes hunting kea — now threatened and protected, but once the subject of a bounty after the opportunistic birds developed a taste for sheep sashimi.
This 1973 film sees poet Alistair Te Ariki Campbell explore the history of Kāpiti Island — from being a stronghold for Māori chief Te Rauparaha, to whaling station and its present form as a bird sanctuary. The film chronicles Campbell’s first visit to the legendary motu, where he feeds a kākā parrot a date from his mouth, and witnesses a remarkable scene where a weka kills a Norway rat. With impressionistic sequences set to verse, director Peter Coates’ ‘poetic realisation’ of the island was called “a remarkable contribution to NZ television” by Listener critic David Weatherall.
This award-winning documentary from NHNZ reveals new information about the origins of the iconic kiwi. Presenter Peter Elliott travels the country investigating how "evolutionary mutants" — like giant meat-eating snails, kiwi, and tuatara — evolved over 20 million years in the face of massive tectonic upheavals and extreme isolation. Elliott answers why Aotearoa has the "weirdest creatures", such as birds that don't fly and mammals that do. Company Weta Workshop used computer graphics to create images of extinct creatures for this TV One documentary.