In this documentary, artist Helen Pollock discusses her sculpture Falls the Shadow. Using clay from the Coromandel and the Passchendaele (Netherlands) battlefield, she created a grove of arms reaching up against a background of trees stripped bare by gunfire in World War I. The work was inspired by her father, a wartime signaller. Pollock discusses her installation and the effect of combat on New Zealand troops in the war (846 Kiwis died in two hours during the 1917 battle of Passchendaele). The work is now on permanent display at Passchendaele Memorial Museum.

Actor Robyn Malcolm visits the towns of Passchendaele and Ypres in Belgium. Both are near the cemetery where her great uncle, Private George Salmond, is buried. Salmond, an ANZAC signaler, was among the 18,500 New Zealand casualties of World War I. He was killed in the Battle of Passchendaele in 1917, a victim of a battle recognised as a tragedy of poor planning and preparation. Local war experts pay tribute to the New Zealand soldiers' mettle, and Malcolm looks at the site and reflects on Uncle George and his sacrifice on foreign whenua. 

Ron Childs’ father had fought at Passchendaele in World War l. With another conflict looming, Ron signed up for the Territorials at age 18.  A few months later war broke out, and he was in the army, guarding the entrance to Wellington Harbour with heavy artillery and searchlights. Poor health meant he never made it overseas; he spent the rest of the war on the home front. Serving in both the army and the air force, Childs was variously a gunner and dispatch rider.

This edition of Great War Stories series revisits “a candidate for the darkest day in New Zealand war history” — 12 October 1917. The Passchendaele disaster in Belgium is explored via a letter smuggled home from 23-year-old private Leonard Hart. The front was a quagmire of mud and blood where, in a catastrophic blunder, Kiwi soldiers were shelled by their own artillery fire before being caught in barbed wire, and slaughtered by enemy machine guns. Hart called it “the most appalling slaughter I’ve ever seen.” Presenter Hilary Barry also sings the opening hymn, 'Abide with Me'.

Director Karl Zohrab’s docudrama makes the case for World War I military leader Major General Sir Andrew Russell to be resurrected in Kiwi popular memory alongside the likes of Freyberg. Based on Jock Vennell's biography, the film spans Russell’s life from his Hawke’s Bay childhood to Gallipoli and the Western Front — where the New Zealand Division commander was acknowledged for his tactical nous — to the latent effect of his war experience. It screened on The History Channel for Anzac Day 2014. Colin Moy (In My Father’s Den) plays Russell in battlefield dramatisations.

Made for television, this 13-part National Film Unit series aimed to showcase "people and events that shaped the New Zealand of today". The Bernard Kearns-presented series is mostly composed of footage taken from NFU stock. Fascinating early film clips are accompanied by interviews with elderly gents and ladies who reminisce about events as they unfold on the screen. This edition focuses on the opening decades of the 20th century; the nostalgia takes a dark turn when bow tie-wearing Kearns discusses World War I and provides alarming statistics of loss of life.

Peter Howden’s daily letters to his wife Rhoda during World War I provide one of the most comprehensive accounts of what life was like for a Kiwi soldier in the trenches at Passchendaele in Belgium. In his letters, read in this short documentary by his great-grandson, he tells of camping out within the sightline of the enemy, dugouts formed in disused trenches, and the treacherous terrain the soldiers had to navigate. Howden would fall victim to a gas attack which left him blind, and eventually caused his death on 17 October 1917.