Dame Pat Evison's extensive screen career saw her acting alongside George Henare, Roger Hall, William Holden, and a young Mel Gibson. Evison worked extensively on both sides of the Tasman, including long-running TV roles on Close to Home and Australia's Flying Doctors. She passed away in May 2010.
This episode of history series The Years Back focuses on the impact of World War II on Kiwi women. Through archive and interviews it looks at home front life: rationing (as recalled by Dame Pat Evison), fashion (‘Simplicity Styles’), and the arrival of American troops — around 1,400 women would later emigrate to the United States as war brides. It also shows the liberating effect of the war on many women as they took up the jobs left vacant by men serving overseas. Women joined the services too: with more than 8,000 enlisted across the army, navy and air forces.
This item from arts show Frontseat asks whether it is right for actors to portray other races than their own. Samoan Kiwi David Fane — who won both fans and criticism, after voicing Jeff da Māori on bro'Town — argues that playing another ethnicity is only an issue when the actor does a bad job. Actor Rachel House (Whale Rider) raises wider issues of indigenous people telling their own stories; and Cliff Curtis, known for a wide range of ethnicities on screen, says he needs to be just as careful playing Māori of other iwi, as when he is playing other races.
In 1988 Entertainment This Week’s host Leeza Gibbons and Coronation Street’s Christopher Quinten found love while taking part in a New Zealand Telethon. The pair starred in two of New Zealand’s favourite TV shows and the sight of them falling for each other live in the Christchurch studios was the talk of the country; viewers — like the couple — were literally agape. This 6.30PM News segment re-caps the romance and follows the duo to Arrowtown for a winter stroll. A year later they were married, but by 1991 it was all over. Warning: includes a deep pash.
This 1967 documentary offers a rare behind the scenes glimpse into the early days of Kiwi television, as a group of actors learn firsthand how the new medium differs from the stage. The actors' workshops were held in three cities as part of a push to create more local drama. After NZ Broadcasting Corporation producer Brian Bell introduces the actors to the camera, they try out some scenes. Five TV plays emerged, and two are seen getting made: The Tired Man, featuring Grant Tilly and Ray Henwood, and acclaimed Christchurch-shot drama Game for Five Players.
The Silent One is a mythological children's drama about the friendship between a deaf mute boy, Jonasi, and a rare white turtle. The boy's differences lead to suspicion from his Rarotongan village. When the village suffers drought and a devastating storm, the boy and turtle (also considered an ill omen) are blamed and ostracised. Adapted by Ian Mune from a Joy Cowley story, the beloved film was the first New Zealand dramatic feature to be directed by a woman (Yvonne Mackay). In the excerpt here, Jonasi is excluded from a boar hunt and first meets the turtle.
While visiting family down under, American teen Lonny catches up with his grandfather, a man with an infectious giggle, a thirst for adventure — and two vampire-sized incisors. Released locally as Grampire, this family-friendly adventure combines local names (among them future Pluto singer Milan Borich) with a winning turn as nice guy vampire by American Al Lewis (cult series The Munsters). Director David Blyth was won over by Michael Heath’s script because it reversed convention, and “was a plea for children to be allowed to keep and develop their imaginations”.
This feature tells the true story of the notorious 1941 manhunt for Stanley Graham. The West Coast farmer went bush after a shooting spree that followed police pressure to have him hand over his firearms. Seven men were ultimately killed. Written by Kiwi-born Andrew Brown (from Harold Willis’ book), Bad Blood was made during the tax break era for UK TV, but was released in NZ cinemas. Directed by Brit Mike Newell (Four Weddings and a Funeral), it won strong reviews. Aussie legend Jack Thompson and compatriot Carol Burns star as the isolated Bonnie and Clyde coasters.
Pioneering series Pukemanu (the NZBC’s first continuing drama) was set in a North Island timber town. Its portrait of the town’s folk offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; viewers and reviewers praised its Swannie-clad authenticity. This first episode sees a culture clash as a motorcycle gang (including a young Bruno Lawrence) comes to town and causes trouble, running Ray (Geoff Murphy) off the road; and stranded townie Diana (Ginette McDonald) falls in love with a local axeman while hunting.
In this experimental drama shot in 1975, four young idealists escape the city for rural Foxton, and set about living off the land. But an act of violence sends the commune into isolation and extremism. Teasing tense drama from rural settings, the 90 minute tale from maverick National Film Unit director Paul Maunder shines a harsh light on the contradictions of the frontier spirit. Although state television funded it, they found it too edgy to screen; instead Landfall debuted at the 1977 Wellington Film Festival. The cast includes Sam Neill as a Vietnam vet, and Mark ll director John Anderson.