The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
This episode of TVNZ’s Avalon studio-filmed "mainly country" music show opens with The Toner Sisters, ‘Rockin' with the Rhythm of the Rain’. Introduced by host Andy Anderson as “the big D on the big P, with the big ballad”, Dalvanius bangs out ‘Just Out of Reach’ on the piano. Sharon de Bont covers ‘When Will I Be Loved’. Anderson kids around with Rob Winch and John Grenell, before Grenell gets wistful on ‘Past Like a Mask’. The Ranchsliders get things moving with Paul Simon's ‘Gone at Last’. Then Anderson leads the team for Bonnie Raitt’s ‘Sweet And Shiny Eyes’.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
Marking New Zealand television’s 50th birthday, this TVNZ Heartland series looked back at the medium's history, decade by decade. Each episode featured an interview with a prominent TV figure from the era. In this excerpt from the 1970s survey, host Andrew Shaw interviews broadcaster Brian Edwards, who reflects on changes in TV political interviewing from veneration to confrontation, and the impact of Muldoon; his key role in brokering a Post Office dispute, live on screen; and the birth of consumer affairs show Fair Go, and why it has lasted so long.
The third of Pasta Productions’ popular All Blacks documentaries sees winger John Kirwan provide running commentary on the team’s path to the 1991 World Cup in England: from Argentina to Sydney and Auckland to contest the Bledisloe; from facing bottle and orange missiles in Tucumán to touch on Bondi Beach. JK muses on why coach Alex Wyllie is nicknamed ‘Grizz’, Neil and Tim Finn provide musical accompaniment (“I see black”), and Canterbury Uglies are the training uniform du jour. Meanwhile on-field signs are ominous for the reigning world champs.
The follow up to 1989 tour doco The Good, the Bad and the Rugby sees winger John Kirwan narrate an insider’s guide to the All Blacks’ 1990 tour to France: from Michael Jones negotiating a haircut (“how do you say ‘square top’ in French?”) to 19-year-old Simon Mannix leading a ‘Ten Guitars’ singalong. Footy relics of the era include afternoon test matches, four point tries, placed kick-offs, sneaky ciggies and Steinlager. Producer Ric Salizzo later repeated the Pasta Productions’ recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
Amy Street is an award-winning series of eight short documentaries. Each tells the story of a resident in a Thames assisted living community for people with intellectual disabilities. Opening the series is Celeste, a superfan of Shortland Street who gets to meet one of her Street idols. Other interviewees include Moyzee, a keen singer who says "labels are on jars and I'm not a jar so you can't label me"; couple Topsy and Dave, who are excited about their upcoming wedding, and Jonathan, a runner who hopes to win a medal at the Special Olympics in Dunedin.
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
The Christchurch music scene of 1982 gets a once-over in this Radio With Pictures report. Rob White of The Star acts as critic and guide, describing what’s hot in the South Island’s biggest city. A young Richard Driver provides his insights into what makes Christchurch bands so good, while various out-of-towners marvel at the quality of the lighting and sound in the local live scene. Amongst the local bands in the spotlight are The Narcs, the short-lived Thanks to Llamas and the Dance Exponents, who less than four months before this appearance had released their debut single 'Victoria'.