Luscious fruit, truckies, and Lucy Lawless feature in this Christine Parker short. Sal (Tania Simon) is gifted a peach and meets a saucy tow truck driver (Lawless) en route home to her toddler, and domestics with boyfriend Mog (Joel Tobeck). Mog’s truckie mates arrive for beers, including the nameless driver, whose presence (and peach-eating advice) stirs up desire. “Watch it rot, or taste it when it’s ripe.” A roster of leading NZ film talent worked with Parker on the film, and Lawless' turn hints at the cross-sexual appeal of her breakthrough role on Xena - Warrior Princess.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
Geoff Murphy (Utu) directed this freewheeling adaptation of the Māori legend of Uenuku and his affair with mist maiden Hinepūkohurangi. The story of love, betrayal, and redemption was the first Māori myth adapted for TV — and the first TV drama performed entirely in te reo. The Listener softened viewers by printing a translation before it aired. Filmed at the Waimarama base of Murphy and cinematographer Alun Bollinger, Uenuku was produced by company Peach Wemyss Astor for the NZ Broadcasting Corporation — a rare independently produced TV drama in the 1970s.
A special tribute to 20 years of TV3's late night news show Nightline — including interviews with most of its regular newsreaders and major contributors of the previous two decades. Belinda Todd pops up in Los Angeles via satellite link and Darren McDonald is "door-stepped" at home while the others celebrate in a Ponsonby Road bar. There's a tribute to the late Dylan Taite; and other packages are devoted to Belinda Todd's more notorious antics, Bill Ralston's gonzo approach to politics, the show's arts coverage and its on-going love affair with nudity.
The inventions of Bill Hamilton dominate this instalment of long-running cinema series Pictorial Parade. Hamilton tests his pioneering jet boat on Canterbury's Ohau River, while new inventions including a hydraulic digger are put to the test on the hard rocky soils at Irishman Creek. Meanwhile on the production line in Christchurch, engineers and machinists are hard at work getting graders and loaders in top working order. Also featured is a new diesel railcar on New Zealand’s train network, and the crew of the HMNZS Hawea and HMNZS Black Prince training in the Cook Strait.
These clips offer up a selection of Kiwi news bloopers. First, Sacha McNeil presents a retrospective of unscripted moments from TV3’s first 25 years of news: newsreaders sneeze and laugh, and reporters face rogue weather, animals, dance routines, and lashings of champagne from Olympic champions. Then presenter Hilary Barry laughs at inappropriate moments on The Paul Henry Show: she starts an extended battle with the giggles while mentioning All Black Waisake Naholo’s broken leg (2015). In 2016 she succumbs to laughter over an emergency defecation situation.
In this cult surf film — this excerpt is the first seven minutes — Andrew McAlpine gets in the Chevy, chucks the longboard on the roof and follows a group of pioneering riders on a mission around New Zealand and Australian coastlines, from Piha to Noosa. Filmed from 1965 - 1967, the Kiwi Endless Summer evoked a laid-back era where the ride was the prize. The classic surfing scenes — some filmed from an onboard camera housed in a DIY perspex case — are scored to surf rock and interspersed with sunburnt, bikini-clad relics of 60s beach culture.
Juliette Veber's observational documentary tells the story of Gary Peach, a teacher in charge of discipline at South Auckland's Aorere College. "Peachy" has unorthodox methods (a loud hailer to wrangle truants) but his genuine commitment to the mainly Māori and Pacific Island kids is provoking and affecting. Filmed over six months on the trail of Peach's beat, the film received applause at 2008 NZ Film Festival screenings and made many annual 'best of' lists. The NZ Herald called it a: "very moving report from education's frontline ... a compelling watch".
Another black and white prototype music video from Ray Columbus and the Invaders. Ray and the band planned and directed this one themselves, at Peach Studios in Auckland. The song is a ballad, and it's a more restrained performance than the clip for She's a Mod, but the 1960s zoot suits and aloof rock star poses are still there. 'Till We Kissed' was a Top 10 hit, and won the first ever Loxene Golden Disc Award in 1965.
In this bilingual cooking series made for Māori Television, chef Joe McLeod calls on a career that has taken him to 36 countries to present international dishes combined with NZ ingredients and elements of traditional Māori cuisine. In this debut episode, he adapts one of his mother’s favourite dishes from his childhood as he substitutes salmon for her Taupō trout, and serves it with pūhā, dried kawakawa leaves and a simple Māori herb sauce. The programme’s main course is liver sautee with a tangy lemon herb sauce, and the dessert is a peach and plum trifle.