Frontseat - Series One, Episode 14
In this early, Edinburgh-centric episode of arts show Frontseat, Flight of the Conchords return to the Edinburgh Fringe Festival for a sellout third season — although they argue the new show is “a shambles”. Also present at the fest are an array of Kiwi technicians, performers, and arts programmers. Meanwhile in his Marlborough vineyard, globetrotting cinematographer Michael Seresin critiques Kiwi society and its ugly towns, and calls NZ a “lonely, soulless sort of nation”. Also on offer: Artist Phil Dadson in Antarctica, and award-winning dancer Ross McCormack.
Antarctica
The fierce cold and awesome isolation of Antarctica is evoked in this 1980 NFU survey of scientific projects and life on New Zealand’s Ross Dependency. Geological and wildlife work is counterpointed by domestic details: a “housewifely” cleaning regime, an impressive liquor order, time-marking beards, and radio chatter at odds with the desolation. There’s poignant footage of one of the last sightseeing flights before the Erebus disaster; and the doco grapples with the uneasy possibility that research may lead to exploitation of the continent’s natural resources.
Antony Starr
Antony Starr has won multiple awards for being sly and idiotic at the same time, playing twin brothers on TV's Outrageous Fortune: gormless Van and cynical lawyer Jethro. The roles are distant cousins to an earlier part on Mercy Peak. A starring turn as a sheriff with a secret in Alan (True Blood) Ball’s US TV series Banshee, followed big-screen roles in drama After the Waterfall and Australian thriller Wish You Were Here.
Robert Brown
Veteran wildlife cameraman Robert Brown has filmed everything from polar bears to pukeko in places from the Arctic to the Antarctic. He shot the rare bird stories that led to the formation of state television's Natural History Unit (later NHNZ), and contributed to classic BBC David Attenborough series, such as Life on Earth and The Living Planet. In 1981 he won a Feltex Award for his work on Wild South.
Maurice Shadbolt
Although best known as a writer, Maurice Shadbolt also did time as a filmmaker. In his 20s he made a number of films at the National Film Unit, as part of a career that encompassed fiction, journalism, theatre and two volumes of autobiography. His classic Gallipoli play Once on Chunuk Bair was made into a feature film in 1992.