Gibson Group production Public Eye was inspired by the British series, Spitting Image. Latex puppets caricature topical personalities, mostly drawn from the world of politics (Ruth Richardson, Helen Clark, Winston Peters etc). Their foibles are duly skewered in fast-moving comic skits such as the 'Ruatoria Rasta' segment, 'The White Way' and 'Honky Tanga'. The wickedly grotesque puppets were based on drawings by cartoonist Trace Hodgson, and built by a team headed by future Weta FX maestro, Richard Taylor.
Inspired by the British series Spitting Image, Gibson Group's Public Eye features latex puppets based on drawings by cartoonist Trace Hodgson and built by a team headed by future Weta FX maestro, Richard Taylor. Highlights from the first episode include a boxing match between former finance minister Ruth Richardson and Winston Peters; Helen Clark's attempts to convince a bunch of labour party ministers to enforce a ban on pornography; and cricketer Richard Hadlee's failure to promote a life insurance company while being interviewed by Keith Quinn.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
The opening episode of the Prime TV series celebrating 50 years of New Zealand television travels from an opening night puppet show in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ On Air, Sky and Māori Television). Many of the major players are interviewed. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within the story.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
Sam Neill has acted in forgotten Kiwi TV dramas (The City of No) and classic Kiwi movies (Sleeping Dogs, The Piano, Hunt for the Wilderpeople). His career has taken him from the UK (Reilly: Ace of Spies) to Hawaii (Jurassic Park) to dodgy Melbourne nightclubs (Death in Brunswick). As Neill turns 70, this collection celebrates his range, modesty and style — and the fact he was directing films before winning acting fame. In these backgrounders, friends Ian Mune and Roger Donaldson raise a glass to a talented, self-deprecating actor and fan of good music and pinot noir.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
Mark Wright is an actor who is well known for impersonating celebrities and sports stars on television. He has appeared on a number of primetime comedy shows including Issues, That Comedy Show and Newsflash. Wright has also appeared in TV dramas Shortland Street, City Life, Nothing Trivial and Harry.
Former presenter Derek Payne returns to front the finale of this first (NZBC) run of the Otago-Southland local news show. A report on strippers aside, the emphasis in this ‘best of’ series cull is on (often Pythonesque) humour. Highlights include Kevin Ramshaw’s Sam Spade-style private eye hunting Noddy, Payne walking a famous imaginary dog, a search for news in Invercargill and a reporters’ bloopers reel. An era when newsroom staff were learning their medium in the public eye is evoked, and the opening weather report is a glorious look back at TV’s lo-tech past.
On 27 July 1965, Auckland fish’n’chip shop owners Sam and Shirley Ann Lawson became parents of a boy — Samuel — and four girls — Deborah, Lisa, Shirlene and Selina. The birth made world headlines as the first set of quintuplets conceived using hormone treatment. But out of the public eye it wasn't happy families: Sam and Ann split up when the quins were six and in 1982 their mother was murdered by her abusive second husband. Director Mark Everton’s award-winning doco regathers the quins, who discuss the ‘quin bond’, tragedy, resilience and their tumultuous lives.