Designed to inspire school leavers to find their career, Pathways sees a selection of young New Zealanders talk about their job paths. The pilot episode of this 1994 Careers NZ resource is bookended with a 'mini-drama' about young people flatting together, which includes some familiar faces. Karl Urban plays lazy surfer Wayne, while Robbie Magasiva is the sales assistant whose plans of climbing the career ladder go awry. Marcus Lush plays a DJ who links a series of interviews with people either working or training. Later Lush interviews experts on youth employment prospects.

Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon! 

After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.

NZ On Screen's Car Collection is loaded with vehicles of every make and vintage, as a line-up of legendary Kiwis get behind the wheel — some acting the part. The talent includes Bruce McLaren, Scott Dixon, Bruno Lawrence, a clever canine, and a great many bent fenders. Onetime car show host Danny Mulheron tells tales, and picks out some personal favourites here. 

"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement. 

This wartime propaganda film from the NFU celebrates the role of women in the Air Force. Established in 1941 to free up men for other duties, more than 4,700 women served in the Women's Auxiliary Air Force during WWII. The film is also a recruitment vehicle. It shows WAAF members in traditional (for the time) roles such as sewing and typing. But more male-dominated jobs are being taken on as women are trained as metal workers, mechanics and drivers. And when they’re not working, the women relax by "knitting, drinking a cup of tea and talking."

Ken Bliss’s brief description of his father’s service in the Boer War is just one of the stories that make this interview essential viewing. Ken’s own military career began when he was called up at 18, in 1941. Too tall to be a pilot in the RNZAF, he became a radio mechanic and served in the war against the Japanese in the Pacific. Forming a surf lifesaving team on Bougainville to rescue American servicemen who couldn’t swim was an unexpected wartime duty. And having survived the war, a missed train in 1953 meant Ken also survived the Tangiwai disaster. 

An ode to the retrospective joys of listening to AM radio from this Auckland three-piece who mix elements of folk, funk and blues on this smooth pop song written by front person Victoria Girling-Butcher. Richard Bell’s video was shot at the train station at Ferrymead Heritage Park in Christchurch; and his army of loners emerging out of the shadows - drawn in by the music on the radio - underlines the song’s promise of finding companionship from the airwaves. (The Wave Master valve radio was made from the early 1940s by Dunedin company Radio Services Ltd.)