This excerpt from a post-war NFU newsreel begins at Eden Park for a match between Auckland and the ‘Kiwis’ (the army’s NZEF team), then goes on a jaunty ride through all-things rugby in NZ: from 1st XV (Wellington College), club and provincial (Ranfurly Shield in the Southland rain) clashes, to boot-making and badge selling on match day, with rugby’s centrality to the Kiwi psyche underlined throughout. “Rugby’s never over, though the crowds stream home from Eden Park or any place we play, to fans and players alike it will always be a part of our national life!”

This National Film Unit newsreel offers a wide-ranging look at ‘the national game’ in 1966. A muddy potted history (scored to rugby folk song ‘On the Ball’) rakes from the age grades to a Ranfurly Shield match, to the apex: the All Blacks. Ex-All Black fullback Bob Scott talks about the need for ‘four stone bantams’ to enjoy the game, while fellow AB Don ‘The Boot’ Clarke discusses the problems for a country player; Wellington College’s 1st XV plays a ‘traditional’ against Nelson in front of a mass haka on the terraces; and club players explain why they play (“it’s a manly game”).

All Black great Grant Fox is given the big red book in this award-winning episode of This is Your Life. The first five-eighth’s record points tally and marshalling of stars like John Kirwan made the playmaker a key cog in the 1987 Rugby World Cup-winning All Blacks and champion Auckland teams. His distinctive goal-kicking ritual became as reassuring as a metronome for fans. The diminutive Auckland Grammar old boy meets family and teammates, discusses discipline and his single All Blacks try, and gets busted by coach John Hart. Fox would become an All Blacks selector.

In this intimate documentary painter Michael Smither lays bare his life — from a stern Catholic childhood in New Plymouth to the inspiration of Central Otago to his senior years in Otama Beach, collaborating on natural artworks. Smither is best known for his unflinching portraits of family life, works like 'Sarah with Baked Beans' which capture the untamed energy of small children. Smither acknowledges the hardship behind these famous paintings, and the toll it took on his first marriage. Ex-partners (including novelist Rachel McAlpine) open up about their time with Smither. 

"Space — big hills, snow-capped, blue skies ... that's the Maniototo, Central Otago." So says local poet Ross McMillan, describing the landscape that inspires much of his work. The Maniototo plain has also inspired writing from James K Baxter, Janet Frame, and Gary McCormick, the host of this full-length Heartland episode. McCormick finds a strong sense of community amidst the poetry of isolation: whether in the shearing shed, the sports field or the ice-skating rink. He also talks to local high-schoolers, some resigned to having to leave the area to find work.

Men of the Silver Fern was a four-part celebration of all things All Black, made in 1992 for the centenary of the NZRFU (now known as New Zealand Rugby). This first episode covers the early period from when Charles Monro kicked off the sport in NZ in Nelson on 14 May 1870, through the establishment of rules, provincial unions and the New Zealand Rugby Football Union. The programme surveys the front-running international tours — from the 1884 Flaxlanders to the 1888 Natives, 1905 Originals and 1924 Invincibles — where the All Blacks’ "winning reputation" was forged.

This was the 24th edition of New Zealand Mirror, a 1950s National Film Unit series promoting New Zealand to British audiences. The first clip, about rugby's Ranfurly Shield, was deemed “too topical” by the UK distributor, and cut from later editions. The clip in question captures the colour of the national obsession (knuckle bones, livestock parades) at Athletic Park, where Taranaki challenge shield holders Wellington. It was later seen in Kiwi theatres as a short, playing with 1982 rugby tale Carry Me Back. The latter segments show Kaiapoi ploughing, and Wairakei thermal energy. 

After hitting Wellington for a Ranfurly Shield game, two brothers from the sticks (Grant Tilly and Pork Pie's Kelly Johnson) have to sneak their abruptly deceased father back home. If the body isn’t buried there, they won’t inherit the family farm. Set back when "blokes were blokes and sheilas were their mums", director John Reid’s shaggy dog tale — a Weekend at Bernie's, reeking of stale beer and ciggies — both lauds and satirises the Kiwi male. Among the six clips, the final clip sees Tilly's character getting things off his chest, now that Dad is finally unable to answer back.