This National Film Unit promotional film begins at the Aratiatia rapids on the Waikato River and heads on up to Lake Taupō, where it chucks on the waders and casts into the waters of the volcanic crater lake, to extol the virtues of fishing for rainbow trout. The narration is firmly of its time: “Here’s one man’s idea of the complete angler: complete with radio and pretty girl. Maybe the fish won’t bite, but he’s planned a good day whatever line he uses.” Lake Taupō - Paradise for Fishermen was the NFU’s first production to be shot on 35mm colour film (specifically 35mm Ansco Colour).

Playwright Roger Hall visits Uganda in Africa for this Intrepid Journey. He finds the going tough at times, particularly some rough accommodation and worries about malaria, but delights that he got to see lions and gorillas in their natural habitat, and is moved by the efforts of the Ugandan people to triumph over their "hideous recent history". This excerpt sees Hall white water rafting on the Nile, and getting a memorable warning speech about one of the rapids by a guide. He "loses his Nile virginity" after getting tipped out, and ending up under the raft for a few scary seconds.

It was a Kiwi that invented the jet-boat, so it is probably unsurprising that at the time of this film’s production New Zealand teams had won Mexico's Rio Balsas Marathon three times. Directed by Derek Wright, the award-winning NFU doco showcases what was then the longest jet-boat race yet staged: a five-day 1000km race across NZ, with the locals putting their trophy on the line. The race hits the rapids and — despite the odd tree stump — speeds past scenery on six rivers (from the Whanganui to the Waimakariri), Lake Brunner, and through the surf to Sumner Beach.

This award-winning short film explores Te Waikoropupū Springs. The springs fully live up to New Zealand’s 100% Pure brand, with some of the clearest water known (a 1993 study measured visibility to 63 metres). After visiting the springs' ‘dancing sands’, three divers take a down river run: going with the flow of the 14,000 litres per second discharged from the springs (here the classical score funks up the tempo). One of the divers was sound recordist Kit Rollings. The waters are now closed off, to preserve their purity. The NFU short played in cinemas with Return of the Pink Panther. 

In May 1871 Auckland became a city. One hundred years later reporter Hamish Keith looks back to see how Auckland developed and ahead to where it is going. In 1971 600,000 people lived in the greater Auckland area and it was rapidly expanding. Keith notes volcanoes, tribal war, pioneers, "booze and butter" booms, problematic bridges, PI influence, cars and suburbia; and muses on Auckland’s “marching to its own drum” spirit. Anticipating Super City angst, then-Auckland mayor Sir Dove-Myer Robinson frets that sprawling unruly Auckland is a city in search of a soul.

TVNZ focused on contemporary urban issues in New Streets as a counterpoint to its epic Landmarks documentary series which charted NZ’s historical development. Over three episodes, Neil Roberts examined the rapid growth of South Auckland, the spotlight was placed on an arts employment scheme for disadvantaged Mangere youth, and writer Albert Wendt provided a personal perspective on how the traditional values of his Samoan community were coping with Auckland’s urban pressures. New Streets screened in Lookout, TV1’s early 80s local documentary slot.  

Aotearoa's place as an adventure sport mecca is vividly captured in this classic 70s documentary, directed by Roger Donaldson (Smash Palace). Sir Edmund Hillary leads an A-Team of mates to tackle Fiordland's unclimbed Kaipo Wall. In part one, they set out to kayak and raft down the Hollyford River's white water rapids for the first time (they're soon overturned, bashed and wet). At Lake McKerrow they build a DIY sailboat with a tent fly and branches (Bear Grylls take note), then tramp along windswept sands and through thick bush to reach the imposing wall.

A grainy low-fi look belies the intricacies of this music video by Christchurch indie pop rockers Tiger Tones. The look of super-8 film and the bulk of the video being shot out the window of a moving car almost convince that it’s a simply recut homevideo. The subtly CG titles, slo-mo close ups of the band and lightning cuts matching the rapidly shrieking guitar suggest however, that something a bit more clever is at play. At the time of the song’s release Tiger Tunes had won Best Breakthrough Act at the 2007 bNet Awards, and were in the process of releasing their debut album.

The Wellington region is the focus of this 1958 edition in the long-running NFU series. The newsreel shows the rapidly developing town of Porirua, where farmland is being converted into state housing. Meanwhile in Taita the Hutt Valley Youth club provides entertainment for bored young people on Sunday afternoons. Highland dancing vies with skiffle and rock and roll, and Elvis-style quiffs date the teen spirit. Such clubs were set up after the 1954 Mazengarb inquiry into juvenile delinquency. And at Athletic Park a classic All Black line-up wallops the Wallabies 25-3.

The title belies this profile (made for TV rock show Radio with Pictures) of Chris Knox and Alec Bathgate in their early days as the Tall Dwarfs. They traverse their past in legendary punk band The Enemy — with compelling performance footage — and the influential but ill-fated Toy Love. Knox’s seething disillusionment with the music industry is rapidly evolving into the DIY ethos that will reshape NZ alternative music. He is also typically confrontational as they busk in The Octagon while the closing acoustic performance is worth the price of admission on its own.