Producer Rhonda Kite founded company Kiwa Media Group, which developed a successful programme to aid dubbing and dialogue recording, and made long-running Māori Television arts series Kete Aronui. Kite's award-winning slate of documentaries includes films on the Ōtara community, gangs, whāngai, and squeegee bandits. Kiwa Digital went on to focus on creating interactive books for mobile devices.
Producer Rhonda Kite, who runs Kiwa Media Group, has worked on television, film, and interactive book projects. Her first production was award-winning 1998 documentary Otara: Defying the Odds. She also produced the controversial Chinks, Coconuts and Curry-munchers and, on the big screen, Squeegee Bandit. Kite produced anthology series Mataku and long-running arts show Kete Aronui. Kiwa Media Group has also pioneered a process of dubbing films into other languages.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
Richard Nunns is a renowned expert in taonga pūoro — traditional Māori instruments like wood and bone flutes. This 2007 episode of the Māori Television arts show sits down with him as he narrates his collaboration with Brian Flintoff and the late Hirini Melbourne — “a magic coalition of separate skills” — and the journey they’ve undertaken to resurrect lost sounds. Inspired by museum objects, literature and song, the trio led the revival of the form in contemporary Aotearoa. Nunns says the pūoro would’ve functioned as “a cellphone to the divine” for tohunga (experts).
This film is about the redemption of Jake the Muss. It picks up the story after Jake has turned his back on his family (his wife has left him to escape the violence) and is up to his usual tricks in McClutchy's Bar. After one of his sons dies suspiciously in a gang fight, another sets out to find revenge, accompanied by young gang member Tania (Nancy Brunning). Scripted by Alan Duff and directed by Ian Mune, the film was the second-highest-earning NZ film of the 1990s, (eclipsed only by Once Were Warriors). It scooped most of the categories at the 1999 NZ Film & TV Awards.
Drama and commercials director Peter Burger (Until Proven Innocent, Fish Skin Suit) is profiled in this episode from a bilingual Māori Television series about artists. In this extract, he traces the origins of his career to a “crazy little accident” in the form of drama lessons taken to correct a childhood lisp. His early aspirations to be an actor were soon eclipsed by a fascination with the process of directing. Making adverts provided him with a chance to develop and hone the storytelling skills he would apply to television and film.
This 2002 documentary explores contemporary Aotearoa from the perspective of Kiwis from a range of different (non-Māori, non-Pākehā) ethnic backgrounds. These citizens speak frankly about their experience of assimilation and stereotyping in a supposedly multicultural society, where ethnic food is beloved — but not ethnic difference — and where jokes and racism blur. Directed by Libby Hakaraia, the documentary screened on TV3 as part of doco slot Inside New Zealand. It was a follow up to 2000's The Truth about Māori, which looked at identity from a Māori perspective.
Postwar Māori, Pākehā and Pacific Island migrants made Ōtara the fastest growing area in New Zealand. But as local industries closed, it became a poster suburb for poverty and crime. This TV3 Inside New Zealand documentary sees eight successes from Ōtara telling their stories — from actor Rawiri Paretene and MP Tau Henare, to teachers and entrepreneurs. They reflect on mean streets, education, community and the Ōtara spirit. The first documentary from Ōtara-raised producer Rhonda Kite (who is also interviewed), it won Best Māori Programme at the 1999 NZ TV Awards.
Māori of different ages and backgrounds talk frankly about their culture and how they feel they are perceived in this Inside New Zealand doco. Contributors include Pio Terei, Brian Tamaki, Carol Hirschfeld, Leilani Joyce and Tau Henare (who is unapologetic about his Dirty Dogs). By turns passionate, pointed and humorous, they discuss issues ranging from sex and food to teen pregnancy and prejudice. We also learn that rotten corn is not universally loved, staunchness is at best a dubious asset and not all Māori are blessed with singing ability. The Truth About Maori
The second Lawless tele-movie sees ex-cop John Lawless (Kevin Smith) drinking too much while working as a bouncer in a downmarket bar. Then former crime-solving partner Jodie Keen (Angela Dotchin) enlists his help, to investigate the case of an incarcerated American (C. Thomas Howell) who may have been framed. Someone is attacking hitchhikers, and the creepy finale sees Jodie using herself as bait, before getting trapped in a barn with a murderer. Evening Post reviewer Sarah Daniell found "the whole shebang was executed with wit and style".