Made for the 75th anniversary of the Tourist and Publicity Department, this National Film Unit short film surveys New Zealand tourism: from shifts in transport and accommodation, to how Aotearoa is marketed. The "romantic outpost of Empire" seen in 1930s promotional films gives way to a more relaxed, even saucy pitch, emphasising an uncrowded, fun destination. Middle-earth is not yet on the horizon; instead Wind in the Willows provides literary inspiration. Directed by Hugh Macdonald (This is New Zealand), it screened alongside Bugsy Malone and won a Belgian tourist festival award.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Nostalgia can take many forms: and certainly many a middle-aged memory swirls back to this early Sharon O’Neill video, a nostalgia further fuelled by the long lack of a decent quality master copy. The classic clip about romance in foreign climes — or perhaps a romance that unfurled somewhere else entirely — opens with O’Neill’s backlit image reflected in the water. But it is the scenes of O’Neill in a rippling pool wearing a shark tooth earring that seem to have left the longest impression on males of a certain vintage.
This impressionistic 1989 short film, directed by Mark Summerville, imagines gay tribal life on a fantasy South Pacific Island. Shot by Mairi Gunn, the film ripples with watery blues; a stormy Maggie Rankin soundtrack and whispered narration (from Ivan Davis) backgrounds images of marine sirens, coral crowns, apples, tapa, and entwined seaweed. In the middle of it all — a game of underwater hockey... The short film crossed the seas to gay film festivals in San Francisco, Vancouver and Hamburg, and toured with a British Film Institute selection of shorts.