This 1983 episode of arts series Kaleidoscope profiles the life of Rita Angus, whose paintings won critical acclaim both in New Zealand and abroad. After growing up in Hastings and Palmerston North, Angus moved down to Christchurch, initially to study at Canterbury College School of Art. Later she spent more than a decade in the Wellington suburb of Thorndon. Featuring interviews with those who knew her at various stages of her life, and numerous examples of her work, this half-hour documentary provides a thorough overview of who Rita Angus was.
An affectionate documentary about painter Rita Angus. Angus was well known for her enigmatic self portraits, and this Gaylene Preston-directed documentary explores the relationship between the work and biography. It gathers together new material about Angus's life, as well as interviews with a group of friends who knew her, and a new generation of appreciators including biographer Jill Trevelyan. Many of her paintings are also featured, evocatively shot by Alun Bollinger; actress Loren Horsley captures an uncanny likeness as a young Angus.
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
Nightly magazine-style show Town and Around played on New Zealand screens during the second half of the 60s. Hosted by Peter Read, this end-of-1968 special from the Wellington edition showcases highlights from over 500 items that year. The concentration is on lighter material, most famously a hoax piece on a farmer who puts gumboots on his turkeys. In another piece reporter John Shrapnell discovers that locked cars in the city tend to be the exception. Also featured: an interview with entertainer Rolf Harris, and an impromptu Kiwi street-Hamlet.
This short documentary series looked at New Zealand's landscape art from the arrival of Pākehā up until the 1980s. The four episodes moved from the development of a local version of the European tradition (through artists such as John Gully and Petrus van der Velden) through to the homegrown modernism emerging in the 20th Century: the distinct hard-edged styles of Binney, White and Smither, the spiritual abstracts of McCahon and Woollaston, to the later impact of Māori artists like Hotere, Whiting and Kahukiwa.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for NZ music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the sun on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who also made follow-up arts showcase The Gravy. These excerpts from the first series show a calvacade of local talent, including an early Flight of the Conchords screen outing.
These excerpts from part one of Tom Scott’s award-winning series on the life of Edmund Hillary look at his early years. Ed reflects on his youth as a gangly Auckland Grammar student, beekeeping, and a school trip to Ruapehu that sparked a “fiery enthusiasm” for alpine adventure. Coupled with a young man’s frustration with his “miserable, uninteresting life”, this passion for the hills soon led to a solo ascent of Mount Tapue-o-Uenuku as an RNZAF cadet — famously climbed on a weekend’s leave from Woodbourne base— and a 1947 ascent of Mount Cook, with his mentor Harry Ayres.
Hosted by Francis Kora, this episode of The Gravy is the story of musician and anti-apartheid activist Tigilau (Tigi) Ness, who during the 1970s joined the Polynesian Panthers movement in Auckland. Tigi Ness, the father of hip hop musician Che Fu, recalls his childhood in central Auckland and troubled times with the 1974 dawn raids and protests during the 1981 Springbok rugby tour for which he served nine months in prison. The episode also tells the story of his musical life in reggae bands such as Unity Pacific. Animated segment The Truth takes a look at lambs.
In this 2002 documentary director Brita McVeigh heads down the aisle to explore the world of air hostesses in air travel’s glamorous 60s and 70s heyday. Seven ex-“trolley dollies” recall exacting beauty regimes, controversial uniform changes, and the job’s unspoken insinuation of sexual availability. The cheese and cracker trolley becomes a vehicle that charts the changing status of women as McVeigh argues that — despite layovers in Honolulu, and a then-rare working opportunity for ‘girls’ — the high life concealed harassment, and struggles for equal rights and pay.