New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.
Four-part series Standing in the Sunshine charted the journey of Kiwi women over a century from September 1893, when New Zealand became the first country to grant women the right to vote in parliamentary elections. This third episode, directed by Melanie Rodriga, looks at women over a century of work — plus education, equal pay, family, art, and Māori life. Interviews are mixed with archive material – including a mid-80s 'girls can do anything' promotion – and reenactments of quotes by Kiwi feminist pioneers. Writer Sandra Coney also authored a tie-in book for the series.
Ebullient presenter Dale Harvey brings his sunny ways to the first episode of this lifestyle series, which is aimed squarely at those with green thumbs. The episode opens with co-presenter Annie Whittle giving viewers a guided tour of her own garden (which boasts an incredible view), and sharing tips for an optimal vege patch. The rejuvenation of the old Edmonds Factory gardens is celebrated after the building's demolition in 1991, and Harvey trades gardening tips with lifelong gardener and radio personality, Ernie Rogers. All Black Michael Jones pops by for a quirky cameo.
Goretti Chadwick and Anapela Polataivao have been performing as comedy duo Pani & Pani since the mid 2000s. They created and hosted TV's Game of Bros, and have appeared on Fresh. This interview includes the duo discussing: Taking the mickey out of their mums’ enthusiasm for potatoes while growing up Their early love of Billy T James, and finding the best laughs were to be had in church How a failed attempt to avoid a famous teacher at Auckland Girls' Grammar School led Chadwick to acting studies at Unitec, and later taking up comedy Polataivao finding the itch for drama through cheeky improvisation during Sunday School plays, being a founder of theatre group Kila Kokonut Krew, and why she still considers herself a dramatic actor How Pani & Pani was inspired by Charlotte Dawson advice show How’s Life?, and trying to make each other laugh How Pani & Pani are highly exaggerated versions of themselves
Many of Aotearoa’s most successful films have been adapted from novels. This 2006 Artsville documentary looks at the process of turning books into movies. Authors Alan Duff (Once Were Warriors), Tessa Duder (Alex) and Jenny Pattrick (The Denniston Rose) reflect on the opportunity and angst of having their words turned into scripts — and maybe films. Duff reflects on DIY adaptation (What Becomes of the Broken Hearted?). Scriptwriters Ian Mune (Sleeping Dogs), Ken Catran (Alex), Riwia Brown (Warriors) and Geoff Husson (Denniston Rose) provide the adapters' perspective.
Scott Blanks helped launch New Zealand's stand-up comedy scene in the 1980s. The owner and co-founder of Auckland's iconic comedy club The Classic muses about building the live comedy scene and other subjects, including: Getting his start in showbusiness when he was 19, acting in an amateur production of West Side Story Helping form comedy group Funny Business, and being a jack of all trades on their early gigs: "provide a stage, get the lights and sound sorted, and the marketing and the promo..." Starting a rookie comedy night at Auckland pub Kitty O'Brien's, where several comedians (e.g Brendhan Lovegrove, Sugar and Spice) first got their break The excitement of finding and setting up New Zealand's first dedicated live comedy club, The Classic, in 1997 How television stand-up show Pulp Comedy boosted The Classic's audience How his accounting degree helped save The Classic when it ran into money troubles
A bold reveal of a rose tattoo opens this 1980 documentary on contemporary Kiwi tattooing. Then, a potted history of the practice punctuates visits to parlours on K Road and Hastings, plus the studios of industry legends Steve Johnson and Roger Ingerton. Interviews with tattooists and their canvases roam from stigma, the perils of permanence, and motivations for inking; to design tropes (sailors, serpents, swallows) and tā moko. Commissioned by TVNZ for the Contact documentary slot, the Geoff Steven film chronicles a time when “folk art has become high art.”
Samoan-Welsh-Kiwi James Nokise got into stand-up young, won his first break on Pulp Comedy within a year, and later commuted between NZ and the UK to perform both stand-up and theatre. Among the topics he discusses here are: Growing up between the affluent Wellington suburb of Whitby, and his father’s Samoan church community Getting his first break on Pulp Comedy alongside a plethora of talented performers, and getting cocky onstage How a night drinking with overseas comics Ed Byrne, Glen Wool and Lewis Black convinced him that he needed to pursue comedy as a career — and how fellow comic Eteuati Ete convinced Nokise's dad to let him "Accidentally" writing his first play — by writing a comedy show that wasn’t funny — and being nominated for a Chapman Tripp Theatre award The 2011 breakthrough success of political satire Public Service Announcements, and the new generation of satirists that have emerged since the play was first performed Struggling with stand-up in the United Kingdom, the UK success of fellow Kiwi comedians, and how sports stars Tana Umaga and Stephen Fleming helped get him free drinks
Guitar-playing yodellers The Topp Twins have been bringing audiences together for decades. As this Funny As interview demonstrates, Jools and Lynda Topp make for a formidable team. Among other topics, they talk about: Six decades of making each other laugh, starting from when they had to share a bath as children Making yodelling funny How an empty petrol tank and a prison cell launched their career; how busking taught them showmanship Protest, politics, loose elastic bands, and the value of "beautiful mistakes" Winning over an audience of London punks How Lynda got married before gay marriage became legal
Ken Duncum, who heads the scriptwriting programme at Victoria University, has written comedy (Skitz, Willy Nilly), detective shows (Duggan) and meta dramas about television itself (Cover Story). His extensive theatrical CV is laced with plays in which music plays a major part — including the acclaimed Waterloo Sunset, and hit show Blue Sky Boys.