This Wild South edition joins two legendary New Zealand wildlife documentarians — photographer Geoff Moon and sound recordist John Kendrick — on a 1988 trip to Kāpiti Island. Rangers are learning about, and looking after, the sanctuary’s manu (birds), who are “biological refugees” from the mainland, escaping introduced predators. Dogs monitoring kiwi, a kākā census, and tīeke (saddleback) nest boxes are featured. The two old mates narrate the visit, which includes Moon building a bush hide, and footage of a pioneering 1964 tīeke relocation from Hen Island.
Open Door is series where community projects team up with Morningside Productions and TV3 to tell their stories. This episode looks at Rotorua's Wingspan, where the art of falconry is being used to train, breed and rehabilitate kārearea and other birds of prey. The $20 note icon can fly at speeds over 100kph, as spectacularly demonstrated in a public show when a falcon hunts down a finch. But habitat loss, vulnerable nests and being shot at, means there are less than 8,000 falcons left — a threatened status that the Wingspan project is working at changing.
This 2003 documentary examines what drove two of New Zealand’s most internationally successful golfers. Future 2005 US Open champion Michael Campbell and Phillip Tataurangi look back on their careers to date, and the part played by their Māori ancestry. Their natural talents are set against the hard work, supportive whānau and determination required to succeed on golf’s biggest stages: fro both being part of the Kiwi team that won the Eisenhower Trophy in 1992 to success as professionals on PGA and European Tours. Campbell retired in 2015.
This acclaimed drama from 1975 adapts a Katherine Mansfield story about three travellers who encounter a strange woman and child, at a remote country store. Co-directed by Roger Donaldson and Ian Mune, it won Feltex Awards for Best Script (Mune and Peter Hansard) and Actress (Ilona Rodgers). Mune and Donaldson used the drama's success and innovative financing model as a 'proof of concept', to secure funding for their 1976 series Winners & Losers. The Woman at the Store debuted on Kiwi TV screens in March 1975; it was sold as part of the Winners series overseas.
Geoff Murphy (Utu) directed this freewheeling adaptation of the Māori legend of Uenuku and his affair with mist maiden Hinepūkohurangi. The story of love, betrayal, and redemption was the first Māori myth adapted for TV — and the first TV drama performed entirely in te reo. The Listener softened viewers by printing a translation before it aired. Filmed at the Waimarama base of Murphy and cinematographer Alun Bollinger, Uenuku was produced by company Peach Wemyss Astor for the NZ Broadcasting Corporation — a rare independently produced TV drama in the 1970s.
Aroha depicts a young Māori chief's daughter who embraces the modernity of the Pākehā world (attending university in Wellington) while confronting her place with her own people (Te Arawa) and traditions at home. The NFU-produced dramatisation is didactic but largely sensitive in making Aroha's story represent contemporary Māori dilemmas (noted anthropologist Ernest Beaglehole was the cultural advisor). Watch out for some musical treats, including an instrumental version of classic Kiwi song, 'Blue Smoke' and a performance of the action song 'Me He Manu Rere'.
The Adventure World TV series saw Sir Ed lead an A-Team of mates on a run of adventures. The concept was dreamt up by Bob Harvey, who enlisted Roger Donaldson to direct The Kaipo Wall and an (unproduced) Everest trip. Sir Ed and his climbing mate Mike Gill then went DIY and made two half hour films. This mission to climb The Needles — a rock stack off Great Barrier Island — was the first. Peter Mulgrew sails them over, Murray Jones goes parkour on the rocks and scales a kauri, Graeme Dingle surfs a dingy, and Sir Ed is the self-described “peppery co-ordinator”.
This 1962 National Film Unit short uses the relationship between Māori and manu (birds) as a platform to celebrate New Zealand bush birds — from food source and key roles in myth, to their general character. Legend of Birds was filmed on Kāpiti and Little Barrier Islands. Many of the images were captured by noted nature photographers Kenneth and Jean Bigwood, and the score is by composer Larry Pruden. The narration includes a rap-style tribute to the kākā parrot: “squarks about his indigestion, population and congestion … politics the current question”.
This TV drama follows a whānau taking a claim to the Waitangi tribunal, over plans by a Pākehā neighbour to build a resort on disputed land. Ngā Tohu jumps between the present day and 1839/40, when Māori chiefs were canvassed to support the Treaty of Waitangi and a settler makes an equivocal land deal with Chief Tohu (George Henare). The exploration of the Treaty's evolving kaupapa is effectively humanised by an age-old love story, and it scored multiple drama gongs at 2000's TV Awards. Director Andrew Bancroft wrote the teleplay with playwright Hone Kouka.
Long isolated, New Zealand contains a world of Alice Through the Looking Glass natural oddities: birds, insects and plants like nowhere else. Scientist Jared Diamond remarked "it is the nearest approach to life on another planet". Palaeontology (from Professor Michael Archer) and Māori myth (told by Hirini Melbourne) reveal these 'Ghosts of Gondwana'. Then cutting edge camera techniques (earning a Merit Award at 2002 International Wildlife Film Festival) delve into a night world of bat-filled tree trunk saunas, “demon grasshopper” wētā, and furry kiwi with chopstick bills.