In this video billowing sails and an impressive array of mid-80s celebrities (musicians, broadcasters, sportspeople) raise their voices in patriotic fervour, to rally support for the first Kiwi challenge for the America’s Cup: “in a boat just called New Zealand”. The bid failed, but ‘Sailing Away’ set a record for the most consecutive weeks at number one by a NZ artist (nine), until the arrival of Smashproof’s ‘Brother’ in 2009. The tune — borrowed from ‘Pokarekare Ana’ — remains both as a reminder of simpler times in the America’s Cup, and an era of questionable haircuts.
In this excerpt from TVNZ's 1980s science and technology series, reporter Jim Hopkins visits a West Auckland boatyard where one of the world's biggest single-masted yachts is being built. Construction of the multi-million dollar, 122 foot long Aquell (later Vainqueur), is state of the art for the times although decades of subsequent America's Cup boats have taken some of the lustre from revolutionary materials like Kevlar and carbon fibre. Then again, not every yacht comes complete with twin 350 horsepower diesel engines, two bedrooms and an onboard jacuzzi.
This NFU film follows the maiden voyage of HMNZS Otago. Built at a Southampton shipyard, she was the first ship made for the Royal New Zealand Navy. The anti-submarine frigate is shown undergoing sea trials in 1960, before a haka on the Thames and a bon voyage from Princess Margaret send the Otago homewards. There are visits to ports in the Mediterranean, Suez, Singapore and Australia (where the crew enjoy shore leave) before arrival in Dunedin in January 1961. The Otago later supported protests against nuclear testing at Mururoa; she was decommissioned in 1983.
A 1978 documentary that follows the attempt by three young people to be the first windsurfers to cross Cook Strait. Directed and narrated by Sam Neill (soon to be famous as an actor) for the National Film Unit. The skeptical Cook Strait pilot John Cataldo asks them: "do you wanna have a crack?" "Yeah, bloody oath" one of the surfers replies. They face the Strait's infamous winds, tides, swells, sharks and exhaustion. Some stunning helicopter shots include a windsurfer clipping through whitecaps with a pod of dolphins in its wake.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
Auckland is known as the City of Sails and each Anniversary Day, the Waitemata Harbour hosts the world’s largest one-day regatta. The culture of yachting on the Hauraki Gulf gets full-blown homage in this 1968 National Film Unit film. The short documentary sets up sailing as a way to escape the bustle of the city, and follows the tacks and jibes of a race — “The hum of straining rigging, the sting of flying spray on the lips … the feeling that only a yachtie knows as his craft lifts and surges.” The narration is by Tim Eliott, who had recently helped found Wellington's Downstage Theatre.
The Hum is about sailing legend Geoff Stagg, and his yacht Whispers. Directed by Tony Williams and written by Martyn Sanderson, the doco is a paean to the lure of sailing, focusing on Stagg’s colourful personality, and his veteran ocean-racing crew, as they take on the Wellington to Kapiti Island and down to the Sounds race. Fortunately for the film they deliver on reputation. Dolphins, Strait squalls, streaking, ciggies, and some fierce 70s moustaches are all in a weekend’s sailing. Stagg would go on to head renowned Farr Yacht Design (now Stagg Yachts).
This 2003 TVNZ documentary looks at the life of New Zealand’s most celebrated sailor, Sir Peter Blake. The film ranges from Blake's Waitematā sailing childhood to Round the World racing; from leading Team New Zealand to double America’s Cup victory, to the setting up of Blakexpeditions. The documentary uses archive footage and interviews with crew, mates and family to eulogise the adventurer with the windswept blonde mane and moustache. It was made in the wake of Blake’s 2001 death, while on an Amazon expedition to raise environmental awareness.
This eighth episode in the Landmarks series was the first episode filmed, to test how geographer Kenneth Cumberland handled being in front of the camera. On a Cook Strait ferry in a southerly, he begins exploring how trade and people have gotten about Aotearoa: from the “Māori main trunk line” (beach, water), sailing ships, Cobb & Co and ‘Shanks's Pony’, to the railways and Bob Semple’s roadmaking bulldozers.The episode ends with the national grid and airways, with a rocky landing at Wellington airport demonstrating that the wrestle with place is an unresolved one.
This 1959 Pictorial Parade edition begins with the opening of the ‘Milson Deviation’: a rail bypass which diverted trains from the Palmerston North CBD. Then it’s to Hastings for the National Ploughing Championship, where the prize is a silver plough modelled on the first (Pākehā) plough used in NZ. Lastly, the Echo (a flat-bottomed Kauri scow that sailed between Wellington and Blenheim) turns a wetter furrow and sails up the Opawa River. With the onset of competition from ferries the Echo was retired in 1965; she’s now ‘on the hard’ on the Picton Foreshore.